<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/38">
    <dcterms:title><![CDATA[Time&#039;s daughter]]></dcterms:title>
    <dcterms:subject><![CDATA[Net poetry]]></dcterms:subject>
    <dcterms:description><![CDATA[Time&#039;s daughter is a hypertext poetic work that explores the themes of desire, expectation and contemplation. The user begins at a simple home page with a choice of seven words( where, view, belly, time, eon, face, hands ) through which the user can start traversing through the poem/s. It is a collaboration with digital media artist, Robin Petterd. The use of html is very simple and the aesthetics of the project are similarly simple, offering in the main, a white screen with small image and dominant text in varying positions on the page. Occasionally, images or animated gifs are tiled behind text. Sometimes the page scrolls horizontally forcing the user to engage with the whole screen in order to find the linked word to lead them to the next fragment. The simple navigation with limited hyperlinks and pared down early html aesthetic showcases the recontextualisation of the fragments, in terms of layout, sequence and dynamism of text: a research concern of the artist during this period.<br />
Gillian Fuller]]></dcterms:description>
    <dcterms:creator><![CDATA[Caney, Diane]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Petterd, Robin]]></dcterms:contributor>
    <dcterms:rights><![CDATA[The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caney_daughter]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/37">
    <dcterms:title><![CDATA[The Mother country]]></dcterms:title>
    <dcterms:subject><![CDATA[Net poetry]]></dcterms:subject>
    <dcterms:description><![CDATA[A short hypertext poem which subverts notions of Mother Country by thinking through the obverse: 'a mother becomes a country'. The work repurposes the 'look and feel' of other of Caney's poems, for instance, Time's Daughter, through reuse of html coding and animated gifs found in that work. The re-use of other of the author's sites is part of a long standing research into intertextuality, identity and online poetics.<br />Gillian Fuller]]></dcterms:description>
    <dcterms:creator><![CDATA[Caney, Diane]]></dcterms:creator>
    <dcterms:date><![CDATA[1999 ]]></dcterms:date>
    <dcterms:rights><![CDATA[The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caney_mother]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/36">
    <dcterms:title><![CDATA[Believe]]></dcterms:title>
    <dcterms:subject><![CDATA[Net poetry]]></dcterms:subject>
    <dcterms:description><![CDATA[<strong>Artist Statement</strong> <br />Believe is both a website and a novel which is being written by my fictional character, Theodora Free. It will circulate around ideas about isolation and despair while also trying to find some form of peace/bliss. The novel is still evolving.<br /><a href="http://www.overthere.com.au/believe/aboutnovel.html">Source of Artist Statement</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[Caney, Diane]]></dcterms:creator>
    <dcterms:rights><![CDATA[The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caney_Believe]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/35">
    <dcterms:title><![CDATA[Seabed]]></dcterms:title>
    <dcterms:subject><![CDATA[Net poetry]]></dcterms:subject>
    <dcterms:creator><![CDATA[Caney, Diane]]></dcterms:creator>
    <dcterms:date><![CDATA[1999]]></dcterms:date>
    <dcterms:contributor><![CDATA[Petterd, Robin]]></dcterms:contributor>
    <dcterms:rights><![CDATA[The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caney_Seabed]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/34">
    <dcterms:title><![CDATA[Surface]]></dcterms:title>
    <dcterms:subject><![CDATA[Net poetry]]></dcterms:subject>
    <dcterms:creator><![CDATA[Caney, Diane]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Petterd, Robin]]></dcterms:contributor>
    <dcterms:rights><![CDATA[The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caney_surface]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/33">
    <dcterms:title><![CDATA[&amp;_you]]></dcterms:title>
    <dcterms:subject><![CDATA[Net poetry]]></dcterms:subject>
    <dcterms:creator><![CDATA[Caney, Diane]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Petterd, Robin]]></dcterms:contributor>
    <dcterms:rights><![CDATA[The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[caney_andYou]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/32">
    <dcterms:title><![CDATA[Between Shades of]]></dcterms:title>
    <dcterms:subject><![CDATA[Net poetry]]></dcterms:subject>
    <dcterms:creator><![CDATA[Caney, Diane]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Petterd, Robin]]></dcterms:contributor>
    <dcterms:rights><![CDATA[The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caney_between]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/31">
    <dcterms:title><![CDATA[Imaginative Reading V]]></dcterms:title>
    <dcterms:subject><![CDATA[Net poetry]]></dcterms:subject>
    <dcterms:description><![CDATA[<strong>Artist Statement</strong><br />Imaginative Reading V is a collaborative web site in 15 paragraphs. A female academic writer is exploring how aspects of her thesis on intertextuality might be "written" in the future by the baby she bore while doing her PhD. A male artist interacts with this writing and develops the writing into both static and moving images and written text. There is a play across genders, textual media, academies vs independence and both artists and writers. Imaginative Reading V is also designed to be read as a fiction, though, and hopefully as something that traverses generic boundaries in order to be open-ended ...<br /><a href="http://www.overthere.com.au/writing/imaginative.html">Source of Artist Statement</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[Caney, Diane]]></dcterms:creator>
    <dcterms:contributor><![CDATA[Petterd, Robin]]></dcterms:contributor>
    <dcterms:rights><![CDATA[The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caney_imaginative]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/30">
    <dcterms:title><![CDATA[Travels Towards]]></dcterms:title>
    <dcterms:subject><![CDATA[Net poetry]]></dcterms:subject>
    <dcterms:description><![CDATA[A hypertext poem assembled of fragments of poetry, plays and other textual fragments of Rimbaud, Patrick White, Shakespeare, Virginia Wolff and original text by Caney. The work integrates visual elements in its interaction, such as animated, linked gifs and mouseovers creating an embodied engagement with text/screen. The work explores the interplay of multi-modality, intertextuality and the affordances of new media space/time in real time while dwelling upon themes of loss and grief.<br />Gillian Fuller]]></dcterms:description>
    <dcterms:creator><![CDATA[Caney, Diane]]></dcterms:creator>
    <dcterms:date><![CDATA[1998]]></dcterms:date>
    <dcterms:contributor><![CDATA[Petterd, Robin]]></dcterms:contributor>
    <dcterms:rights><![CDATA[The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caney_travels]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/29">
    <dcterms:title><![CDATA[1001 nights cast]]></dcterms:title>
    <dcterms:subject><![CDATA[Generative]]></dcterms:subject>
    <dcterms:subject><![CDATA[Online performance]]></dcterms:subject>
    <dcterms:description><![CDATA[<strong>Artist Statement</strong><br />In her durational performance, 1001 nights cast, Barbara Campbell cast a story into the ether every night for 1001 nights from 21 June 2005 to 17 March 2008. Each story had been written for her during the day by a pool of (by the end) 243 writers scattered across the globe. With only a few hours to write and a limit of 1001 words, each writer was responding to a writing prompt Campbell had extracted from one of that day's newspaper stories about events in the Middle East. At sunset (according to Campbell's location), she opened the live webstream on the 1001 nights cast website and told the new story to unseen audiences in unknown locations. The stories, as spoken, could only be witnessed in real time, but in text form, they remain on the website as ghosts of their one-time voicing.<br /><a href="http://1001.net.au/about/">Source of Artist Statement</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[Campbell, Barbara]]></dcterms:creator>
    <dcterms:date><![CDATA[2005-8]]></dcterms:date>
    <dcterms:contributor><![CDATA[Brennan, Anne]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Copyright Barbara Campbell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Campbell_nights]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/28">
    <dcterms:title><![CDATA[Museum of Fire]]></dcterms:title>
    <dcterms:subject><![CDATA[Electronic writing]]></dcterms:subject>
    <dcterms:subject><![CDATA[Video]]></dcterms:subject>
    <dcterms:description><![CDATA[Museum of Fire is one third of a three part portmanteau project made in collaboration with John Conomos and David Haines. The work plays with and across various types of motion landscapes: an early motif for many new media artists in the 1980s and 90s. The work's text is placed over multiple moving and abstracted motion landscapes, both visual and aural. The text itself is multi-sourced, comprising found texts and first person narratives. Motifs of acceleration, driving, train travel, ships on the ocean create a 'oceans of static' as communications and transport merge creating a cinematic world in which split screens of dreamscapes and motionscapes merge into one abstract contemplation of ' the history of luminous motion'.<br />Gillian Fuller]]></dcterms:description>
    <dcterms:creator><![CDATA[Caines, Chris]]></dcterms:creator>
    <dcterms:date><![CDATA[1991]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Chris Caines. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caines_museum]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/27">
    <dcterms:title><![CDATA[Rain Shadow]]></dcterms:title>
    <dcterms:subject><![CDATA[Electronic writing]]></dcterms:subject>
    <dcterms:subject><![CDATA[Video]]></dcterms:subject>
    <dcterms:description><![CDATA[Rain Shadow [1997] is a highly post produced 5 minute audio-visual work that creates a complex multimodal poetics through the use of original and found footage, (often embedded into each other by use of multiple screens in one screen), slices of texts animated and overlaid on screen. Cryptic and often discordant noises coupled with often barely discernible words form a soundscape that resembles a 'drunk tuning a shortwave' (text from work). Together these elements and a voice over explore and disrupt and offer alternatives to cinematic notions of narrative.<br />Gillian Fuller]]></dcterms:description>
    <dcterms:creator><![CDATA[Caines, Chris]]></dcterms:creator>
    <dcterms:date><![CDATA[1997]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Chris Caines. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caines_rain]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/26">
    <dcterms:title><![CDATA[Enemy of Fun]]></dcterms:title>
    <dcterms:subject><![CDATA[Electronic writing]]></dcterms:subject>
    <dcterms:subject><![CDATA[Video]]></dcterms:subject>
    <dcterms:description><![CDATA[A six minute multimedia video piece of the mid 90s works that aesthetically cites affinities between 'left bank' cinema movement artists while deploying the disruptive potentials of multi-media on cinematic storytelling conventions. Enemy of Fun is broken into six short 'chapters' in which a central character 'e' narrates moments and events of her life. The character attains narrative stability through her voice-over and her singular perspective, while the images on screen create montages of various urban and natural states, images of oceans, flowers shot and manipulated through after-effects to mimic the vision of a bee, streets and buildings that bend into each-other that recall the ficto-affective bio-documentary style of Marker's Sunless and create a non- realist cinema language through evocative and affectual forms.<br />Gillian Fuller]]></dcterms:description>
    <dcterms:creator><![CDATA[Caines, Chris]]></dcterms:creator>
    <dcterms:date><![CDATA[1998]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Chris Caines. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caines_enemy]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/25">
    <dcterms:title><![CDATA[Year on the road project: Mathematics]]></dcterms:title>
    <dcterms:subject><![CDATA[Electronic writing]]></dcterms:subject>
    <dcterms:subject><![CDATA[Video]]></dcterms:subject>
    <dcterms:creator><![CDATA[Caines, Chris]]></dcterms:creator>
    <dcterms:rights><![CDATA[Copyright Chris Caines. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caines_math]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/24">
    <dcterms:title><![CDATA[Sixteen Days]]></dcterms:title>
    <dcterms:subject><![CDATA[Electronic writing]]></dcterms:subject>
    <dcterms:subject><![CDATA[Video]]></dcterms:subject>
    <dcterms:creator><![CDATA[Caines, Chris]]></dcterms:creator>
    <dcterms:date><![CDATA[2002]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Chris Caines. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caines_sixteen]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/23">
    <dcterms:title><![CDATA[Flight Recorder]]></dcterms:title>
    <dcterms:subject><![CDATA[Electronic writing]]></dcterms:subject>
    <dcterms:subject><![CDATA[Video]]></dcterms:subject>
    <dcterms:creator><![CDATA[Caines, Chris]]></dcterms:creator>
    <dcterms:date><![CDATA[2005]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Chris Caines. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Caines_flight]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/22">
    <dcterms:title><![CDATA[IUXTA]]></dcterms:title>
    <dcterms:subject><![CDATA[Algorithmic realtime data reinterpretation<br />
]]></dcterms:subject>
    <dcterms:subject><![CDATA[New media]]></dcterms:subject>
    <dcterms:description><![CDATA[<strong>Artist Statement</strong><br />IUXTA investigates the narrative possibilities of the network. IUXTA generates a user generated, augmented reality network will evolve across world. I invite you to participate in this multi-nodal narrative, a narrative that is always in a flux of fragmentation and recombination. Chapter 1 was presented as part of ISEA 2013 and now Chapter 2 begins to evolve centered around Adelaide and ISMAR 2013. In IUXTA I ask you to help spread and embed my own personal and historical narrative into the physical world around us. Over time, this narrative will proliferate according to its own inner logic. You can use the IUXTA mobile viewer to observe and listen to the narrative's current state in real time and in relation to your own physical location. You can also use the IUXTA web app not available on mobile devices) to explore a simulation of the narrative network. Physical locations where narrative nodes are concentrated are marked but not labeled. The IUXTA app is now available on the app store and the Google play store.<br /><a href="http://iuxta.cc/">IUXTA Project website</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[Burrell, Andrew]]></dcterms:creator>
    <dcterms:date><![CDATA[2013]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Rodley_Burrell_IUXTA]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/21">
    <dcterms:title><![CDATA[the data][h!][bleeding texts&quot;]]></dcterms:title>
    <dcterms:subject><![CDATA[Code.work]]></dcterms:subject>
    <dcterms:subject><![CDATA[Interactive]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net art]]></dcterms:subject>
    <dcterms:subject><![CDATA[Mezangelle]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net.wurk]]></dcterms:subject>
    <dcterms:description><![CDATA[This multimedia poem gives a voice to a body and mind imagined through computational conditions. Mary Anne Breeze / Mez / Netwurker has developed a language practice known as mezangelle, which she uses in this poem to create a cyborg lyric voice. The implied metaphor in the title is that data has a body and it is bleeding, perhaps it has been wounded. Mapped onto electronic texts, the displayed texts are the skin, while the code is the rest of the body, including the blood. What we read is a combination of computer and natural languages, both of which are executable.<br /><a href="http://iloveepoetry.com/?p=171">Excerpt from Leonardo Flores' description in I love E-Poetry</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[Breeze, Mez]]></dcterms:creator>
    <dcterms:rights><![CDATA[Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Breeze_datableed]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/20">
    <dcterms:title><![CDATA[Twitterwurking]]></dcterms:title>
    <dcterms:subject><![CDATA[Live<br />
]]></dcterms:subject>
    <dcterms:subject><![CDATA[Performance]]></dcterms:subject>
    <dcterms:subject><![CDATA[Reality game]]></dcterms:subject>
    <dcterms:subject><![CDATA[Twitter]]></dcterms:subject>
    <dcterms:description><![CDATA[Artist Statement<br />_Twitterwurking_ comprised of sequential "tweets" posted via a microblogging platform called Twitter. The work itself was written in my mezangelle language - a type of merging of programming languages/code with poetic elements. The Twitterwurk sought to incorporate specific users into the narrative by typing the "@" symbol before their name. The users were then made aware of this focused reply and thus deliberately enfolded into the tweetstream/project.<br /><a href="http://conference.conlang.org/lcc3/posters/Mez_Breeze-Twitterwurking.pdf">Description from a transcription of Twitterwurking, created in the New Media Scotland Twitter Residency</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[Breeze, Mez]]></dcterms:creator>
    <dcterms:date><![CDATA[2008]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Breeze_twitter]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/19">
    <dcterms:title><![CDATA[Feral &quot;C&quot;]]></dcterms:title>
    <dcterms:subject><![CDATA[Live]]></dcterms:subject>
    <dcterms:subject><![CDATA[Performance]]></dcterms:subject>
    <dcterms:subject><![CDATA[Reality game]]></dcterms:subject>
    <dcterms:subject><![CDATA[Twitter]]></dcterms:subject>
    <dcterms:description><![CDATA[<strong>Artist Statement<br /></strong>Feral "C" is a socumentary which is textually driven by the interactions of five Twitter chars [primary characters or entities] and their Pupa Mistress (PM). The PM initially functions as a Twitter based information hub for the tweet interactions between the chars and other contributing entities (such as yourself).<br /><a href="http://netwurker.net/">Source of Artist Statement</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[Breeze, Mez]]></dcterms:creator>
    <dcterms:date><![CDATA[2010]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Breeze_feral]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/18">
    <dcterms:title><![CDATA[The Dead Tower]]></dcterms:title>
    <dcterms:subject><![CDATA[Code.work]]></dcterms:subject>
    <dcterms:subject><![CDATA[Interactive]]></dcterms:subject>
    <dcterms:subject><![CDATA[Mezangelle]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net art]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net.wurk]]></dcterms:subject>
    <dcterms:description><![CDATA[This narrative poem is arranged on a darkly atmospheric virtual world designed to both creep you out and pull you in through curiosity. Like the proverbial moth, the reader's attention is drawn towards the brightest things around: white words float in the air, static or rotating. And the lines of mezangelle verse both heighten the dread by telling fragments of a ghostly narrative prefigured by the bus crash site the reader finds herself in and soften the tone with hints about the interface that nudge the fourth wall.<br /><a href="http://iloveepoetry.com/?p=302">Excerpt from Leonardo Flores' description in I love E-Poetry</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[Breeze, Mez]]></dcterms:creator>
    <dcterms:date><![CDATA[2012]]></dcterms:date>
    <dcterms:contributor><![CDATA[Campbell, Andy]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Breeze_dead_tower]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/17">
    <dcterms:title><![CDATA[Real_Time_&quot;1sts!&quot; [or: PanoptiConned Imagery From the Scene] ]]></dcterms:title>
    <dcterms:subject><![CDATA[Code.work]]></dcterms:subject>
    <dcterms:subject><![CDATA[Interactive]]></dcterms:subject>
    <dcterms:subject><![CDATA[Mezangelle]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net art]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net.wurk]]></dcterms:subject>
    <dcterms:description><![CDATA[This work is inspired by the real-time events triggered by a fatal shooting incident in MIT and a manhunt for suspects allegedly involved in the Boston Marathon bombings as reported through social media, particularly Twitter.<br /><a href="http://iloveepoetry.com/?p=2584">Excerpt from Leonardo Flores' description in I love E-Poetry</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[Breeze, Mez]]></dcterms:creator>
    <dcterms:date><![CDATA[2013]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Breeze_realtime]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/16">
    <dcterms:title><![CDATA[_][s][hut][ters][ of d.funct meat_/ /Shutters of Defunct Meat]]></dcterms:title>
    <dcterms:subject><![CDATA[Code.work]]></dcterms:subject>
    <dcterms:subject><![CDATA[Interactive]]></dcterms:subject>
    <dcterms:subject><![CDATA[Mezangelle]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net art]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net.wurk]]></dcterms:subject>
    <dcterms:creator><![CDATA[Breeze, Mez]]></dcterms:creator>
    <dcterms:date><![CDATA[2002]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Breeze_shutters]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/15">
    <dcterms:title><![CDATA[pro] [tean] [.lapsing.txts]]></dcterms:title>
    <dcterms:subject><![CDATA[Code.work]]></dcterms:subject>
    <dcterms:subject><![CDATA[Mezangelle]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net art]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net.wurk]]></dcterms:subject>
    <dcterms:creator><![CDATA[Breeze, Mez]]></dcterms:creator>
    <dcterms:date><![CDATA[2002]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Breeze_protean]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.westernsydney.edu.au/adelta/items/show/14">
    <dcterms:title><![CDATA[_cross.ova.ing ][4rm.blog.2.log] (Live Journal)]]></dcterms:title>
    <dcterms:subject><![CDATA[Code.work]]></dcterms:subject>
    <dcterms:subject><![CDATA[Mezangelle]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net art]]></dcterms:subject>
    <dcterms:subject><![CDATA[Net.wurk]]></dcterms:subject>
    <dcterms:creator><![CDATA[Breeze, Mez]]></dcterms:creator>
    <dcterms:date><![CDATA[ongoing]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.]]></dcterms:rights>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:identifier><![CDATA[Breeze_crossova_journal]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
