1 25 263 https://omeka.westernsydney.edu.au/adelta/files/original/b1eafc3b779aea015e7786de42e8e735.png f4e194b7651b14bf07238313a5482512 https://omeka.westernsydney.edu.au/adelta/files/original/68025c8e3780bfece10a781e6867584d.png ab43b72112fa0a657f92f4038776d363 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://eugeniaraskopoulos.com/wp-content/uploads/2012/09/Raskopoulos_brochure.pdf">Extract from essay "Ghost Words" by Nikos Papasteriguadis & Victoria Lynn</a> Work URL The URL of the original work, included as an HTML link. <a href="http://eugeniaraskopoulos.com/wp-content/uploads/2012/07/footnotes.pdf">http://eugeniaraskopoulos.com/wp-content/uploads/2012/07/footnotes.pdf</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Footnotes Description An account of the resource Art happens slowly in Eugenia Raskopoulos’ installation: Footnotes. Certain letters appear and then fade away. Words are formed with stuttering gestures. Nothing is spoken. A language emerges from the spitting onto and the caressing of a surface. We assume that the limbs which are the focus of this articulation are those of the artist. She performs language. She creates words with her toe as it rubs a fluid onto the floor. The words are in English and Greek. Her gestures make visible familiar words that suggest a complicity between the elements and desire. Nature, sexuality and language are brought into light and then they all evaporate. <a href="http://eugeniaraskopoulos.com/wp-content/uploads/2012/09/Raskopoulos_brochure.pdf">Extract from essay "Ghost Words" by Nikos Papasteriguadis & Victoria Lynn</a> Date A point or period of time associated with an event in the lifecycle of the resource 2011 Creator An entity primarily responsible for making the resource Raskopoulos, Eugenia Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. https://omeka.westernsydney.edu.au/adelta/files/original/a2173033a8688b3a27f5c22d5d6bcb80.png f5b4af315059f20169e80811201c7965 https://omeka.westernsydney.edu.au/adelta/files/original/72eb4809008f6e0f29f8bbce988e148f.png aa4b33e5ff13f6a4a0c8e43f871f201d https://omeka.westernsydney.edu.au/adelta/files/original/5c826c1835cba1773ff8070e36f42a3d.png 96a63101db5566561c47475257998e65 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Interactive multimedia installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation / Video Work URL The URL of the original work, included as an HTML link. <a href="http://eugeniaraskopoulos.com/works/">http://eugeniaraskopoulos.com/works/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Read your Lips Creator An entity primarily responsible for making the resource Raskopoulos, Eugenia Subject The topic of the resource Interactive multimedia installation Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive multimedia installation https://omeka.westernsydney.edu.au/adelta/files/original/5fdfcdba9d03d96b2e6eea6b274ada13.png 225cee0156c5ac09779000e39d9555e6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://eugeniaraskopoulos.com/wp-content/uploads/2015/08/voodoo-objects.pdf">Extract from essay Voodoo Objects: “Under My Skin” by Anne Finegan</a> Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Archival digital prints Work URL The URL of the original work, included as an HTML link. <a href="http://eugeniaraskopoulos.com/works/">http://eugeniaraskopoulos.com/works/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Under my Skin Description An account of the resource Eugenia Raskopoulos’ latest installation straddles dark domestic and political territory. The messages range from blunt to subtle. A video camera looks through a car windscreen across which the word “refugees” is written against a clear blue sky, bordered by gum trees and full of hope. No matter how frenetic the pace of the windscreen wipers, the sullied text remains discernable withing the smear as a symbol of Australia’s unresolved refugee issues. Elsewhere crisp and formally framed large photographs dominate with a very odd set of objects, abject reminders which carry bodily memories of intense “inpain” is not a typo but a deliberate misspelling as if the state of being in “in pain” were an abstract noun describing a political condition. In an earlier body of work, Raskopoulos had subjected the word “democracy” to various political tests and pressures, undermining the cheapness of its currency as a buzzword for political gain. Text and visual metaphors - like the windscreen wiper’s attempt to “wipe away” political problems - have long informed Raskipoulos’ work. <a href="http://eugeniaraskopoulos.com/wp-content/uploads/2015/08/voodoo-objects.pdf">Extract from essay Voodoo Objects: “Under My Skin” by Anne Finegan</a> Creator An entity primarily responsible for making the resource Raskopoulos, Eugenia Date A point or period of time associated with an event in the lifecycle of the resource 2014 Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. https://omeka.westernsydney.edu.au/adelta/files/original/1042d9c0217f78de43683aa04e0a96fd.png dd08b1a802ed7aba3e58b121fcdea525 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://eugeniaraskopoulos.com/works/">http://eugeniaraskopoulos.com/works/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I Wish I Was at the Beach Creator An entity primarily responsible for making the resource Raskopoulos, Eugenia Date A point or period of time associated with an event in the lifecycle of the resource 2014 Subject The topic of the resource Installation Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation https://omeka.westernsydney.edu.au/adelta/files/original/38ee2f3938cd6f13de4329fa144d238d.png db3cd4b612cef5a2108c5dd54b822ce3 https://omeka.westernsydney.edu.au/adelta/files/original/18a53a9c34c110e7a31b99b83927356c.png 5e26a8c6d0ee24baef27a31148946334 https://omeka.westernsydney.edu.au/adelta/files/original/34d8c865bbe0b0c39a9538347e8644b1.png a42b7c5208975b4614b1256b645406c1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Video installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video / installation Work URL The URL of the original work, included as an HTML link. <a href="https://www.facebook.com/pages/Always-on-My-Mind-An-Australian-Korean-Collaborative-Art-Project/217986864922571?sk=timeline&ref=page_internal">https://www.facebook.com/pages/Always-on-My-Mind-An-Australian-Korean-Collaborative-Art-Project/217986864922571?sk=timeline&ref=page_internal</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wize Creator An entity primarily responsible for making the resource Jenny Fraser Date A point or period of time associated with an event in the lifecycle of the resource 2011 Subject The topic of the resource Video installation Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Video installation https://omeka.westernsydney.edu.au/adelta/files/original/9d04a2bda98e2b4a3fc1738356f50cdb.png 7ac4c24250d0cc1bb7e3b0310a7fe977 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.cybertribe.culture2.org/jennyfraser/artist.htm">http://www.cybertribe.culture2.org/jennyfraser/artist.htm</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raw Roo Creator An entity primarily responsible for making the resource Jenny Fraser Date A point or period of time associated with an event in the lifecycle of the resource 2006 Subject The topic of the resource Installation Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation https://omeka.westernsydney.edu.au/adelta/files/original/177339ef1754d03476e7b9a42320182f.png c1306c6166750b4043e56579e65cef6e https://omeka.westernsydney.edu.au/adelta/files/original/01d68d317739bba2aa16809f470dca4d.png 71755919bc58b187570fbdd75f3fc444 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="https://vimeo.com/18043105">https://vimeo.com/18043105</a> Genre Video Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Digital Video Work URL The URL of the original work, included as an HTML link. <a href="https://vimeo.com/18043105">https://vimeo.com/18043105</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Name that Movie Description An account of the resource "‘Name that Movie’ explores common colonisation techniques through the “gods eye” of mainstream movies with an international reach. When witnessing a recurring action, some say ‘I’ve seen that movie’. it is an ambiguous expression of dismissal / resignation / fatigue, recognising predictability and history repeating itself, unless of course you haven’t seen the movie or are unaware of the history. Then the expression is a way of opening up discussion. naming and defining is a way of breaking down the power of neo-liberal actions. In this instance ‘name that movie’ is a video that’s set up like a game, a drinking game maybe? The object of the game is to guess the movie through summary cues and a film excerpt. There are only nine (re)colonisation techniques named here, but there are plenty more. If you don’t recognise these movies then when you’re next on the couch – keep your sharp eye open. If you do recognise these colonisation techniques, then you need to get off the couch – with your sharp tongue! keep naming the movies." Creator An entity primarily responsible for making the resource Fraser, Jenny Date A point or period of time associated with an event in the lifecycle of the resource 2007 Subject The topic of the resource Digital video Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital video https://omeka.westernsydney.edu.au/adelta/files/original/5ea003afacc9588018d2a6f2318690c7.png 7c4cda21d91392f1a4f44473c5644ba9 https://omeka.westernsydney.edu.au/adelta/files/original/c0b49272a7dc8d3fdebe05ab38a97e29.PNG acf087bde1651a7d553c001572e083c7 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Artist Statement A statement about the work, as provided by the artist(s). other[wize] is a new media arts project that celebrates the lives of Yugambeh family members that were moved from their traditional homelands in SE "Queensland", to work on properties in the Gulf of Carpentaria. The project highlights an era of 1800's colonial australia and explores the prickly issues of Native Policing, dispossession, displacement, massacres and survival [… ]other[wize] is an interactive work where stories are imparted through the use of family photographs, video, audio, and text - including Yugambeh language and relevant historical documents. The 'objects' are representative of important people or events and they transport the viewer to a story about someone from the past […] Events evolve in a non-linear way, grasping at the unknown, not sure of what will be found or how it relates to other information, until perhaps another time, leaving the viewer without a Narrator. This concept reflects how many Aboriginal people experience family histories. The viewer has the opportunity to experience a similar 'fragmentation' of history and they might think about their own relationship to place and times. Genre Multimedia installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime CD ROM / interactive installation / Linker social software Work URL The URL of the original work, included as an HTML link. <a href="http://www.wooloo.org/exhibition/entry/81087">http://www.wooloo.org/exhibition/entry/81087</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Other[wize] Description An account of the resource In her multimedia installation, other[wize], Jenny Fraser recounts and reflects on her family history, and she describes it as ‘celebrating the lives of Mununjali family members that were moved from their traditional homelands in South East Queensland, to work on properties in the Gulf of Carpentaria’. Memory is pivotal and, as Salman Rushdie writes in Imaginary Homelands, ‘the struggle of man against power ... is the struggle of memory against forgetting’. <a href="https://www.academia.edu/2223656/other_wiz">Excerpt from Other[wize] essay, Linda Carroli</a> Artist Statement other[wize] is a new media arts project that celebrates the lives of Yugambeh family members that were moved from their traditional homelands in SE "Queensland", to work on properties in the Gulf of Carpentaria. The project highlights an era of 1800's colonial australia and explores the prickly issues of Native Policing, dispossession, displacement, massacres and survival [… ]other[wize] is an interactive work where stories are imparted through the use of family photographs, video, audio, and text - including Yugambeh language and relevant historical documents. The 'objects' are representative of important people or events and they transport the viewer to a story about someone from the past […] Events evolve in a non-linear way, grasping at the unknown, not sure of what will be found or how it relates to other information, until perhaps another time, leaving the viewer without a Narrator. This concept reflects how many Aboriginal people experience family histories. The viewer has the opportunity to experience a similar 'fragmentation' of history and they might think about their own relationship to place and times. Creator An entity primarily responsible for making the resource Fraser, Jenny Date A point or period of time associated with an event in the lifecycle of the resource 2005 Date Created Date of creation of the resource. 2005 Subject The topic of the resource Multimedia installation Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Multimedia installation https://omeka.westernsydney.edu.au/adelta/files/original/86470fe6574d701ec38fff0b9861bd42.png 9554b1a8a784849db3a8d0f39e64042f https://omeka.westernsydney.edu.au/adelta/files/original/816232aaa167cd30efb3ec4566abcbf8.png b4501b03d242d4d6706f525ab1fca0cf ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.cybertribe.culture2.org/jennyfraser/artist_bio.htm">http://www.cybertribe.culture2.org/jennyfraser/artist_bio.htm</a> Genre Multimedia installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Triptych prints/Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.cybertribe.culture2.org/jennyfraser/artist.htm">http://www.cybertribe.culture2.org/jennyfraser/artist.htm</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I Saw the Signs Description An account of the resource Jenny Fraser works within a fluid screen-based practice of bold and confronting art that utilises popular cultural references as a bridge to challenge viewer’s frames of reference. Her practice has also been partly defined through a strong commitment to collaboration with others and she is motivated to redefine the art of curating as an act of sovereignty and emancipation, founding cyberTribe online gallery over a decade ago. <a href="http://www.cybertribe.culture2.org/jennyfraser/artist_bio.htm">Source of Description</a> Creator An entity primarily responsible for making the resource Fraser, Jenny Subject The topic of the resource Multimedia installation Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Multimedia installation https://omeka.westernsydney.edu.au/adelta/files/original/365404e504a742ffb6dd14fee6845678.png e8d3979c7754946136d6de8760a38145 https://omeka.westernsydney.edu.au/adelta/files/original/f56aadb99dfba73234278ee4c802edca.png 92891b707f53805fd107bac94047ef2c https://omeka.westernsydney.edu.au/adelta/files/original/05be68d98f873629cd0e6fa2da381886.png 1ef23211b8f4f82ac718840252f5ca12 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://iloveepoetry.com/?p=402">http://iloveepoetry.com/?p=402 </a> Artist Statement A statement about the work, as provided by the artist(s). This piece is a narrative cyberpoem which i first began working on in 1995 for my cyberpoetry CD-ROMs. That version, called "reality is a construct" was created in logo-motion in 3D and ran for seven minutes. This version, because of different connection speeds, different browsers, different hosts, etc., has to be restricted to animated gifs and whatever comes packaged with Netscape 3. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html"> Statement from author's website</a> Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime gif animation Genre Web based digital poetry Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=402">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html">Statement from author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_adventures Title A name given to the resource The Adventures of i Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 1995 Description An account of the resource This narrative 'cyberpoem' started in 1995 with the goal of developing into a lengthy 'soapie' about the life of i. The project obviously didn't go on for a long time, though the 18 webisodes plus two alternate guest webisodes collected here are a testament to an ingenious exploration of the narrative potential of animated Concrete Poetry. Each piece is an ingenious animated GIF that illustrates and comments upon a moment in the early life of a character named i. The personification of the typographical character i and the transformation of other words into objects that i explores and interacts with truly exemplifies the Noigandres group's description of Concrete Poetry as 'tension of things-words in space-time.' <a href="http://iloveepoetry.com/?p=402">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Artist Statement This piece is a narrative cyberpoem which i first began working on in 1995 for my cyberpoetry CD-ROMs. That version, called "reality is a construct" was created in logo-motion in 3D and ran for seven minutes. This version, because of different connection speeds, different browsers, different hosts, etc., has to be restricted to animated gifs and whatever comes packaged with Netscape 3. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html">Source of Artist Statement</a> Language A language of the resource English Subject The topic of the resource Animated gif Concrete poetry Cyberpoetry Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Animated gif Concrete poetry Cyberpoetry Komninos Zervos https://omeka.westernsydney.edu.au/adelta/files/original/13d1a5aceabb93074d54e90338135267.png b8da532e9265fd8dcdedd5c7a82be0b6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML/Java Work URL The URL of the original work, included as an HTML link. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/javainf1.html">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/javainf1.html</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_javaPoems Title A name given to the resource Java Poems Creator An entity primarily responsible for making the resource Zervos, Komninos Description An account of the resource This trio of early e-poems were written in HTML and use Java applets to shape their linguistic texts with a careful touch. 'Infinity' and 'Internet Junkie' both change the colour of the text over a schedule to shape readings and to imbue them with a nervous energy. In 'Infinity' (displayed above) the rarely used tag reinforces the instability of textual meaning as the phrases can be read with and without the three blinking words, 'reality,' 'literary,' and 'Why?' In 'Internet Junkie' the increased rate of colour change from one stanza to the next mimics the increasing urgency of the addict's need. The final poem in the piece uses the 'NervousText' applet by Daniel Wyszynski to animate its words, 'KOMNINOS is a poet,' which can be soothed into static stability with a mouse click. <a href="http://iloveepoetry.com/?p=403">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Cyberpoetry HTML Java Kinetic Responsive Cyberpoetry HTML Java Kinetic Komninos Zervos Responsive https://omeka.westernsydney.edu.au/adelta/files/original/75f078eadd2832310786b77fe992ddfd.png 9acf2893ce10de73c145c9857732c8d0 https://omeka.westernsydney.edu.au/adelta/files/original/6804dcdaa8b95ed11636304833662e7e.png 553bb2e18ebd1b3379e3aa476ebe28e1 https://omeka.westernsydney.edu.au/adelta/files/original/2b3484705440cccfc45ac61ab552899e.png 58dab890a6707e4fae5e29a6e7280b29 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime gif animation Work URL The URL of the original work, included as an HTML link. <a href="http://www.studiocleo.com/cauldron/volume2/confluence/kominoszervos/index.html#">http://www.studiocleo.com/cauldron/volume2/confluence/kominoszervos/index.html#</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=192">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_gifPoems Title A name given to the resource Gif Poems Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 2000 Description An account of the resource This selection of six poems built with a type of composite image known as animated GIFs used to create the earliest animations in the Web. In Zervos' experienced hands (see his 'Dimocopo' suite), this simple technology can be very expressive indeed, as can be seen in 'Divorce' a kinetic concrete poem that uses moving typography to highlight some of the finer points in a divorce process. <a href="http://iloveepoetry.com/?p=192">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Animated gif Cyberpoetry HTML Animated gif Cyberpoetry HTML Komninos Zervos https://omeka.westernsydney.edu.au/adelta/files/original/a0373ee783ca267475bb7bf795083cf2.png 9cfe38ebdfc58cbe64d066358e06bf2b https://omeka.westernsydney.edu.au/adelta/files/original/dab632c477f4de68c6536accfbb54cb7.png 42cb06a5a7a323d19c8d8a0e6dc15089 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime gif animation Work URL The URL of the original work, included as an HTML link. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/excorp.html">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/excorp.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://elmcip.net/creative-work/exquisite-corpse-poems">ELMCIP: Electronic Literature as a Model of Creativity and Innovation in Practice</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_exsquisite Title A name given to the resource Exquisite Corpse Poems Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 1996 Description An account of the resource A suite of five online poetry generator that produce a shifting lines of poetry in the manner of an exquisite corpse. <a href="http://elmcip.net/creative-work/exquisite-corpse-poems">ELMCIP: Electronic Literature as a Model of Creativity and Innovation in Practice</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Cyberpoetry Exquisite corpse Generative Cyberpoetry Exquisite corpse Generative Komninos Zervos https://omeka.westernsydney.edu.au/adelta/files/original/ad6ddaf4da36b8067082d59f5026f5af.png a7711bc5da92b62ec662f50e15733b93 https://omeka.westernsydney.edu.au/adelta/files/original/1169a30d8f343263cfcb15b60986ac54.png ee2c0fec22bbecf0a64f9c4669f9a458 https://omeka.westernsydney.edu.au/adelta/files/original/92adfb651aec1325da906954fb4e573b.png c57566c8e0b8cd06b40e2098bf92bde6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime gif animation Work URL The URL of the original work, included as an HTML link. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/animgif.html">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/animgif.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=404">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_dimocopo Title A name given to the resource Dimocopo - digital moving concrete poetry Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 1995-1997 Description An account of the resource This suite of 28 early animated poems from 1995-1997 were created as animated GIFs but are really powered by a vibrant enthusiasm over the ability of computers to write kinetic language. In this suite, we see words morph into other words and into objects, words whose movements evoke their meanings, words used to build landscapes full of objects (a decade before WordWorld), and phrases reconfiguring and reshaping themselves into new ones - as is the case with 'she left' (above). This poem is very economical with its language resources, yet so effective in describing the psychological process of a breakup in a relationship. <a href="iloveepoetry.com/?p=404">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Animated gif Cyberpoetry Digital moving concrete poetry HTML Kinetic Animated gif Cyberpoetry Digital moving concrete poetry HTML Kinetic Komninos Zervos https://omeka.westernsydney.edu.au/adelta/files/original/afb38d6cf80141c4603137260fdf8668.png 26042a9e533a7c0d211c3385081e19bf https://omeka.westernsydney.edu.au/adelta/files/original/b9df103696bcae47b2a831e0fe9355a7.png bf545bc5614dc8fd9266ae27ddc15680 https://omeka.westernsydney.edu.au/adelta/files/original/7a30f56455cbeb8d2c2f850086980b6c.png e3f10ee8bf001a4bce457932a2ba9d66 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.wordcircuits.com/gallery/childhood/index.html">http://www.wordcircuits.com/gallery/childhood/index.html</a> Genre Visual biography Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://directory.eliterature.org/node/370">Tammy Suzor</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Childhood in Richmond Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 2001 Description An account of the resource In Childhood in Richmond, Komninos Zervos uses a collage of photos to tell a story about his life in 1950s Richmond, Victoria. The piece begins, 'I remember my childhood in the backstreets of Richmond/And the visions that leave a lasting impression/ Where I lived in a fish shop with my mother and father.' Black and white photographs appear on the screen as negatives. The opening page contains rollovers that trigger visual changes and audio clips. As the reader advances through the poem, the photos change colours and are more distinct. Black flies and fish float over the collage of photos. By clicking on a specific black fish or black fly, the poem will advance to another collage of photos. The names of fish appear superimposed over the photos, referencing a segment of the poem, 'And flake and couta and bream and schnapper/ To the window, to attract the eyes of the buyers.' These function as links to a line of the poem, which may link back to the same page. This interactive Flash piece provides a poetic experience, as Zervos narrates his poem with spoken words. The dynamic presentation is supported by instrumental drums and cymbals, accentuating the narrative. The poem ends with Komninos remembering his mother, 'And her legs would swell up from all of that walking/ And I often saw her in some corner crying/ In a fish shop, in Richmond, from where I came". <a href="http://directory.eliterature.org/node/370">Tammy Suzor</a> Publisher An entity responsible for making the resource available Word Circuits Language A language of the resource English Identifier An unambiguous reference to the resource within a given context Zervos_childhood Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Cyberpoetry Hypertext Interactive poetry Speech work Cyberpoetry Hypertext Interactive poetry Komninos Zervos Speech work https://omeka.westernsydney.edu.au/adelta/files/original/f528518be1ac06f8cfac772a173775e0.png 3f270ffbdf14f0ebfe331d158120363a https://omeka.westernsydney.edu.au/adelta/files/original/cd079f5695335868173599ca03533248.png 6b44631113f316b8aa45532c62fe0ede https://omeka.westernsydney.edu.au/adelta/files/original/bc875300b7367eb95f8ce7a3a414374e.png 0336d5d1551e491dde5ec216a6a12240 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://komninos.com.au/cyberpoetry/">http://komninos.com.au/cyberpoetry/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=401">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Genre Web based digital poetry Publication Type The publication type is the means and channels by which a work is made public. Online/CD ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_flashPoems Title A name given to the resource Flash Poems Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 2003/2005 Description An account of the resource The first two of this list of poems stand out because of their use of Flash. Komninos' approach to Flash in his poem 'Beer' is similar to the work he published in animated GIFs: a sequence of words, morphing from one to the next producing surprising and amusing juxtapositions. It is with 'Love' (image above) that he took advantage of Flash's strengths: responsiveness to user input and audio synchronization. 'Love' creates a simple interface that triggers some not-lovely sounds when moused over or clicked on. The words readable within its circles are replaced by their opposites, portraying love as a kind of minefield full of triggers that can turn trust into jealousy, heartache into separation, or simply cause pain. <a href="http://iloveepoetry.com/?p=401">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Cyberpoetry Kinetic Responsive Cyberpoetry Kinetic Komninos Zervos Responsive https://omeka.westernsydney.edu.au/adelta/files/original/8c120a029a55ebc692968818b7657156.png 61ff34af5ad410f2a14b557f79d2f003 https://omeka.westernsydney.edu.au/adelta/files/original/52d7af0bcecd42fc02f4948a0fd9569a.png fd59e90ecfe0c7a0a9a63199534ab9bd https://omeka.westernsydney.edu.au/adelta/files/original/2ccf43f4fc1fe4f487cc0f2453256abf.png b45ad7ba6a028242c220f1d0be20837b ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://komninos.com.au/underground/entry.html">http://komninos.com.au/underground/entry.html</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://iloveepoetry.com/?p=400">http://iloveepoetry.com/?p=400</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=400">Heather McHugh's description from I love E-Poetry </a> Genre Web based digital poetry Publication Type The publication type is the means and channels by which a work is made public. Online//CD ROM/DVD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_cyberpoetry Title A name given to the resource Cyberpoetry Underground Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 2003 Description An account of the resource A perceptual joy-ride, full of visual attractions and sonic energies, cyberpoetry underground is notable for its sheer momentum and solid graphic punsmanship. Animated text, three-dimensional letter-forms and 360-degree views turn electronic space into an extra-literary passage, certain areas of which the viewer can negotiate. At the end of some tunnels are the objects of cybertext poems, graffitissimi ultimately serving to remind us that getting there can be more than half the fun. For romping humor, cinematic verve and swerve, cyberpoetry underground earned its place among the top three. <a href="http://iloveepoetry.com/?p=400">Heather McHugh's description from I love E-Poetry</a> Publisher An entity responsible for making the resource available State of the Arts anthology CD Electronic Literature Organisation/The Other Voices Poetry Project Language A language of the resource English Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Cyberpoetry Interactive sound poetry Multimedia Cyberpoetry Interactive sound poetry Komninos Zervos Multimedia https://omeka.westernsydney.edu.au/adelta/files/original/2cf6c551662ac8d57282f97418f0f4fc.png 32a8cbd3ba072954a68076da4b4edb29 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://ensemble.va.com.au/lux/jwlc_1.html">http://ensemble.va.com.au/lux/jwlc_1.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://ensemble.va.com.au/lux/intro.html">Teri Hoskin, excerpt from lux: notes for an electronic writing</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Carroli_Wilson_TinkAndLina Title A name given to the resource Lux: Tink and Lina Chat Creator An entity primarily responsible for making the resource Wilson, Josephine Carroli, Linda Date A point or period of time associated with an event in the lifecycle of the resource 1999 Description An account of the resource [Lux]: is an array of texts by local and international writers and artists whose practices extend to online digital environments. The works published here were originally exhibited as text on paper at Adelaide's Contemporary Art Centre of South Australia - a publicly funded art space committed to contemporary visual art practices. <a href="http://ensemble.va.com.au/lux/intro.html">Teri Hoskin, excerpt from lux: notes for an electronic writing</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Linda Carroli and Josephine Wilson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Collaborative logic Hypertext Collaborative logic Hypertext Josephine Wilson Linda Carroli https://omeka.westernsydney.edu.au/adelta/files/original/b2dc5354519f107440d9b38fb3b95e81.png ef02194381190e3e59dcd42527ea4612 https://omeka.westernsydney.edu.au/adelta/files/original/9aa9a487776fe3f633385f80c1d2e5bf.png b23d389646f8beb898ef1cd0ddc21b86 https://omeka.westernsydney.edu.au/adelta/files/original/7fcdf6434bcb448c393ac1a1b11a1b65.png cf45c7c622032cb4f89ed68cd23af962 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime/Second Life Genre 3D environment Work URL The URL of the original work, included as an HTML link. <a href="http://www.sarahwaterson.net/?p=144">http://www.sarahwaterson.net/?p=144</a> Artist Statement A statement about the work, as provided by the artist(s). Trope creatively intervenes in the ways that readers engage with literary texts and aims to expand writing networks and to further develop the virtual literary community. Trope features short fiction and poetry in selected exhibitions. Texts are repositioned in a spatialised visual format/s and audio designed for SL users to experience texts in a three dimensional world. <a href="http://www.sarahwaterson.net/?p=144">Sara Waterson.</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.sarahwaterson.net/?p=144">Sara Waterson's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Waterson_trope Title A name given to the resource Trope Creator An entity primarily responsible for making the resource Waterson, Sara Davies, Cristyn Knox, Sara Date A point or period of time associated with an event in the lifecycle of the resource 2008/9 Contributor An entity responsible for making contributions to the resource Davies, Cristyn Knox, Elena Language A language of the resource English Description An account of the resource Artist Statement Trope creatively intervenes in the ways that readers engage with literary texts and aims to expand writing networks and to further develop the virtual literary community. Trope features short fiction and poetry in selected exhibitions. Texts are repositioned in a spatialised visual format/s and audio designed for SL users to experience texts in a three dimensional world. <a href="http://www.sarahwaterson.net/?p=144">Sara Waterson</a> Rights Information about rights held in and over the resource Copyright Sara Waterson, Sara Knox and Cristyn Davies. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource New media Real-time 3D art project Cristyn Davies New media Real-time 3D art project Sara Knox Sara Waterson https://omeka.westernsydney.edu.au/adelta/files/original/f98994d494ff667ca99c3f70d516d1f9.png d0e2a835588727a2a30cae635e692d2b ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Text Work URL The URL of the original work, included as an HTML link. <a href="http://ensemble.va.com.au/lmw/surface/installation.html">http://ensemble.va.com.au/lmw/surface/installation.html</a> Genre Installation/Text Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context WalkerLinda_failedHope Title A name given to the resource Failed Hope Syndrome ... Unrealistic Expectations Of Self Change Creator An entity primarily responsible for making the resource Walker, Linda Marie Barbour, John Date A point or period of time associated with an event in the lifecycle of the resource 2003 Subject The topic of the resource Installation Poetry Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation John Barbour Linda Marie Walker Poetry https://omeka.westernsydney.edu.au/adelta/files/original/fe7156506c29d7060c280b75ca1d09f4.png 1054659b596839d69615ef1a22c22394 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://ensemble.va.com.au/lux/notes.html">http://ensemble.va.com.au/lux/notes.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://ensemble.va.com.au/lux/intro.html">Teri Hoskin, excerpt from lux: notes for an electronic writing</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context WalkerLinda_stars Title A name given to the resource Lux: Born of Stars (1) (2) (3) Creator An entity primarily responsible for making the resource Walker, Linda Marie Date A point or period of time associated with an event in the lifecycle of the resource 1999 Description An account of the resource [Lux]: is an array of texts by local and international writers and artists whose practices extend to online digital environments. The works published here were originally exhibited as text on paper at Adelaide's Contemporary Art Centre of South Australia. <a href="http://ensemble.va.com.au/lux/intro.html">Teri Hoskin, excerpt from lux: notes for an electronic writing</a> Language A language of the resource English Subject The topic of the resource Collaborative logic Critical work Hypertext Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Collaborative logic Critical work Hypertext Linda Marie Walker https://omeka.westernsydney.edu.au/adelta/files/original/3b92a82275aa7521a65c54b28d94d038.png 7ff8f881431f43706c241bf8bfdb8375 https://omeka.westernsydney.edu.au/adelta/files/original/dcfbe04679ed04b230630d978a2bda1f.png ab5a87833d900490b0a60089c99e113c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime/HTML Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v2_4_2006/current/walker/index.html">http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v2_4_2006/current/walker/index.html</a> Artist Statement A statement about the work, as provided by the artist(s). The work featured here belongs to a bigger project called A Drop In The Ocean, Slowly. This is a slow process of making visible texts and images which have been written and gathered over many years and are continuing to be written/gathered. Sometimes these texts have appeared in artworks, sometimes in academic journals, sometimes in essays for artists, and occasionally in literary journals. <a href="http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v2_4_2006/current/walker/index.html">Statement from author's website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v2_4_2006/current/walker/index.html">Statement from author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context WalkerLinda_ocean Title A name given to the resource A Drop in the Ocean, Slowly Creator An entity primarily responsible for making the resource Walker, Linda Marie Date A point or period of time associated with an event in the lifecycle of the resource 2004-ongoing Language A language of the resource English Description An account of the resource Artist Statement The work featured here belongs to a bigger project called A Drop In The Ocean, Slowly. This is a slow process of making visible texts and images which have been written and gathered over many years and are continuing to be written/gathered. Sometimes these texts have appeared in artworks, sometimes in academic journals, sometimes in essays for artists, and occasionally in literary journals. <a href="http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v2_4_2006/current/walker/index.html">Source of Artist Statement</a> Subject The topic of the resource Hypertext Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hypertext Linda Marie Walker https://omeka.westernsydney.edu.au/adelta/files/original/7302bd880536fd86cc1bb73b854dc424.png 48f4dcd7892938de495330e705f7bda6 https://omeka.westernsydney.edu.au/adelta/files/original/8bd95840b0799e9902d7f22859d727cf.png c8599cda8ef87000f46fd150c4fbb1f6 https://omeka.westernsydney.edu.au/adelta/files/original/2296d6b0bbc055af55d0c3aecc0e6cad.png 0c963635c828591033ae1a6e47c99fd5 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.jonathanwalkervenice.com/#/let-us-burn-the-gondolas/menu/">http://www.jonathanwalkervenice.com/#/let-us-burn-the-gondolas/menu/</a> Genre Multimedia Image 2 Description / Attribution Information provided from the work's creator(s); either describing the image which represents the work, or attribution of the image which represents the work within ADELTA. Vaporeto Santa Maria de lla Salute Artist Statement A statement about the work, as provided by the artist(s). Venice is usually presented as an anachronism: a ‘timeless’ or even anti-modern city, whose only practical use in the twenty-first century is as a catalogue of picturesque motifs (gondolas, reflected bridges, maskers). Precisely because of its exceptional nature, however, the city offers unique opportunities to rethink or question the idea of modernity. The figures on the grid indicate how long it takes to travel between the locations from which successive photographs were taken, either on foot o (when necessary) by boat. Times are given in seconds, minutes or hours. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Walker_Venice Title A name given to the resource Let Us Burn the Gondola: Venice as a modern city Creator An entity primarily responsible for making the resource Walker, Jonathan Description An account of the resource Artist Statement Venice is usually presented as an anachronism: a ‘timeless’ or even anti-modern city, whose only practical use in the twenty-first century is as a catalogue of picturesque motifs (gondolas, reflected bridges, maskers). Precisely because of its exceptional nature, however, the city offers unique opportunities to rethink or question the idea of modernity. The figures on the grid indicate how long it takes to travel between the locations from which successive photographs were taken, either on foot o (when necessary) by boat. Times are given in seconds, minutes or hours. Subject The topic of the resource Multimedia Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Jonathan Walker Multimedia https://omeka.westernsydney.edu.au/adelta/files/original/844a7b6e573533e83b0a8cfcdd8faa96.png 4e5d8362777aa5fd3ceaba861b2ab758 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.medienkunstnetz.de/works/dirty-work-for-slimey-girls/">Description from Media Art Net </a> Genre Web based conceptual art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context VNS_Matrix_dirtyGirls Title A name given to the resource Dirty Work for Slimey Girls Creator An entity primarily responsible for making the resource VNS Matrix Date A point or period of time associated with an event in the lifecycle of the resource 1994 Contributor An entity responsible for making contributions to the resource Barratt, Virginia da Rimini, Francesca Pierce, Julianne Starrs, Josephine Description An account of the resource The project which they pursued was one of debunking the masculinist myths which might alienate women from technological devices and their cultural products. They believe that women who hijack the tools of domination and control introduce a rupture into a highly systematised culture by infecting the machines with radical thought, diverting them from their inherent purpose of linear topdown mastery. <a href="http://www.medienkunstnetz.de/works/dirty-work-for-slimey-girls/">Description from Media Art Net</a> Language A language of the resource English Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. VNS Matrix https://omeka.westernsydney.edu.au/adelta/files/original/cef33a2eaf4ddd0280cc75832692d4f8.png 3f04ddcb72827e7efdbd535462b06282 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Work URL The URL of the original work, included as an HTML link. <a href="http://www.obn.org/reading_room/manifestos/html/bitch.html">http://www.obn.org/reading_room/manifestos/html/bitch.html</a> Genre Web based conceptual art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context VNS_Matrix_mutant Title A name given to the resource Bitch Mutant Manifesto Creator An entity primarily responsible for making the resource VNS Matrix Date A point or period of time associated with an event in the lifecycle of the resource 1997 Contributor An entity responsible for making contributions to the resource Barratt, Virginia da Rimini, Francesca Pierce, Julianne Starrs, Josephine Language A language of the resource English Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. VNS Matrix