3 25 263 https://omeka.westernsydney.edu.au/adelta/files/original/355b9deb69f0b4d77e3027691957a8d3.png d07225cb14605133adaf40d5261c62ea https://omeka.westernsydney.edu.au/adelta/files/original/c780255280ab839651e80ff04bba9be4.png 3b10a0f357d82f17c6ca7ce24f4bb251 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime/Virtual reality modelling language Work URL The URL of the original work, included as an HTML link. <a href="http://soundsrite.uws.edu.au/soundsRiteContent/volume1/prstplay.html">http://soundsrite.uws.edu.au/soundsRiteContent/volume1/prstplay.html</a> Artist Statement A statement about the work, as provided by the artist(s). ProseThetic Memories is a collaborative, fictocritical and cross-genre text which combines prose, poetry, cultural theory and philosophy. It challenges traditional ideas about memory as a process of storage and subsequent retrieval. Instead memory is seen as a dynamic process, in which the present constantly transforms our impression of the past and vice versa. In this way the very division of time into discrete past and present components is called into question. Important to the genesis of the piece was Freud's notion of Nachtraglichkeit, "afterwardsness", the idea that what is continually rewrites what has been. The concept of prosthesis is also central to the piece because collaboration is itself a prosthetic process, involving the adoption of others' memories and preoccupations, and because memory is always collective as well as individual. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://soundsrite.uws.edu.au/soundsRiteContent/volume1/prsthinf.html">Statement from author's website</a> Genre Live coding/Performative multimedia work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_proseThetic Title A name given to the resource ProseThetic Memories Creator An entity primarily responsible for making the resource Smith, Hazel Brewster, Anne Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2001 Language A language of the resource English Description An account of the resource Artist Statement ProseThetic Memories is a collaborative, fictocritical and cross-genre text which combines prose, poetry, cultural theory and philosophy. It challenges traditional ideas about memory as a process of storage and subsequent retrieval. Instead memory is seen as a dynamic process, in which the present constantly transforms our impression of the past and vice versa. In this way the very division of time into discrete past and present components is called into question. Important to the genesis of the piece was Freud's notion of Nachtraglichkeit, "afterwardsness", the idea that what is continually rewrites what has been. The concept of prosthesis is also central to the piece because collaboration is itself a prosthetic process, involving the adoption of others' memories and preoccupations, and because memory is always collective as well as individual. <a href="http://soundsrite.uws.edu.au/soundsRiteContent/volume1/prsthinf.html">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean and Anne Brewster. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Anne Brewster Hazel Smith Live coding video Multimedia work Roger Dean ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://writing.upenn.edu/pennsound/x/Smith-Dean.php">http://writing.upenn.edu/pennsound/x/Smith-Dean.php</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://writing.upenn.edu/pennsound/x/Smith-Dean.php"> Excerpt from PennSound, Center For Programs In Contemporary Writing</a> Genre Performative text & audio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_midAir Title A name given to the resource Mid-Air Conversations Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 2006 Description An account of the resource A motile and spatial algorithmic speech piece, performed by Greg White and Roger Dean. The text by Hazel Smith which forms the basis of Mid-Air Conversations consists of seventeen short fragments. All the fragments are stylistically and thematically different from each of the others, and explore a variety of locations or historical situations, but there are some overlapping concerns. The piece points to a range of political conflicts but also to another space, one without a specific geographical or historical identity, where such problems might be overcome. To this end the piece includes its own language, constructed out of the words that compose the piece, raising the question: is this the language of that other space and if so how can we begin to adopt and understand it? <a href="http://writing.upenn.edu/pennsound/x/Smith-Dean.php">Excerpt from PennSound, Center For Programs In Contemporary Writing</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. AustraLYSIS Electroband Greg White Hazel Smith Multimedia Performative text Roger Dean https://omeka.westernsydney.edu.au/adelta/files/original/a4e2c391336c075315691a2bb0a97390.png d9991f78750e3ed4db221a0bc8edb17d https://omeka.westernsydney.edu.au/adelta/files/original/b82130fadfc030c768109de8d2326d60.png 88fd88315bea8a240eeef2774323ef82 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html">http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html"> Excerpt from How2, electronic Journal for experimental women's poetry. Vol.3 no.2</a> Genre Performative text & audio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_timeMagician Title A name given to the resource Time the Magician Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 2005 Description An account of the resource Time, the magician is a collaboration by Hazel Smith and Roger Dean written in the real-time algorithmic image-processing program Jitter. The piece begins with a poem, written by Hazel, on the subject of time: influential on the writing of the poem was Elizabeth Grosz's The Nick of Time. <a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html">Excerpt from How2, electronic Journal for experimental women's poetry. Vol.3 no.2</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. AustraLYSIS Electroband Greg White Hazel Smith Multimedia Performative text Roger Dean https://omeka.westernsydney.edu.au/adelta/files/original/770fc5eefa8433fc7136891abbfcc5ab.png d4f351cf548f4253fbae4e3b8e0b34c7 https://omeka.westernsydney.edu.au/adelta/files/original/963e9ea896818dbf2cdb4a6d8ec8ff93.png efb6a7ff9418c0b37ceebf44bb297e00 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.textjournal.com.au/oct04/smith2.mov">http://www.textjournal.com.au/oct04/smith2.mov</a> Artist Statement A statement about the work, as provided by the artist(s). The multimedia work, soundAFFECTs, employs the text of 'AFFECTions' as its base, but converts it into a piece which combines text as moving image and transforming sound. For the multimedia work Roger Dean programmed a performing interface using the real-time image processing program Jitter; he also programmed a performing interface in MAX/MSP to enable algorithmic generation of the sound. This multimedia work has been shown in performance on many occasions projected on a large screen with live music; the text and sound are processed in real time and each performance is different. <a href="http://scan.net.au/scan/journal/display.php?journal_id=89">Excerpt from the article "soundAFFECTs: transcoding, writing, new media, affect"</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://scan.net.au/scan/journal/display.php?journal_id=89"> Excerpt from the article "soundAFFECTs: transcoding, writing, new media, affect"</a> Genre Performative text & audio Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Jitter/Multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_SoundAFFECTs Title A name given to the resource SoundAFFECTs Creator An entity primarily responsible for making the resource Smith, Hazel Brewster, Anne Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2004 Language A language of the resource English Description An account of the resource Artist Statement The multimedia work, soundAFFECTs, employs the text of 'AFFECTions' as its base, but converts it into a piece which combines text as moving image and transforming sound. For the multimedia work Roger Dean programmed a performing interface using the real-time image processing program Jitter; he also programmed a performing interface in MAX/MSP to enable algorithmic generation of the sound. This multimedia work has been shown in performance on many occasions projected on a large screen with live music; the text and sound are processed in real time and each performance is different. <a href="http://scan.net.au/scan/journal/display.php?journal_id=89">Excerpt from the article "soundAFFECTs: transcoding, writing, new media, affect"</a> Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean and Anne Brewster. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Anne Brewster Hazel Smith Multimedia Performative text Roger Dean https://omeka.westernsydney.edu.au/adelta/files/original/359fd261bcf84d700cc596f368cdd270.png 14bcad0c35e15010d5616187a94bee24 https://omeka.westernsydney.edu.au/adelta/files/original/01575422951d8d4f6391f46c1a004ed8.png 0ca71462fba4a5ae106536882f9e8d9c https://omeka.westernsydney.edu.au/adelta/files/original/b44f48d9d3adbaa177db5f66bd3c7cb0.png 9cdfeb44c837c42b42f0cb6163752553 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.australysis.com/eggsite/theegg/eggfinalv2.html">http://www.australysis.com/eggsite/theegg/eggfinalv2.html</a> Artist Statement A statement about the work, as provided by the artist(s). The egg, the cart, the horse, the chicken was written by Hazel Smith (text) and Roger Dean (sound). The hypertext and animations, written in Flash by Hazel Smith, are designed for a split screen. The texts in both the upper and lower frame are grouped into short linear 'scenes' which form an overall 'movie'. But the sequence in the upper frame can be disrupted by clicking on hyperlinks (marked in capital letters), which allow the reader to jump to texts other than the ones which follow each other in sequence. Consequently the juxtaposition of the texts on the two different screens is also variable. The piece engages with the way in which linear systems are constantly disrupted by non-linearity. This is written into the piece at a formal level by the use of the hyperlinks, animation and split screen, which tend to disrupt normal reading processes. Thematically the piece also addresses the ways in which a simple cause and effect relationship rarely operates, even within scientific systems. At the same time the hypertextual network interconnects many different ideas including the cultural significance of illness, the process of writing, the commodification of women's bodies, and the atemporal nature of memory. <a href="http://www.australysis.com/eggsite/theegg/cart%20info.html">Statement in authors' website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.australysis.com/eggsite/theegg/cart%20info.html">Statement in authors' website</a> Genre Hypermedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_eggCartHorse Title A name given to the resource The egg, the cart, the horse, the chicken Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2004 Language A language of the resource English Description An account of the resource Artist Statement The egg, the cart, the horse, the chicken was written by Hazel Smith (text) and Roger Dean (sound). The hypertext and animations, written in Flash by Hazel Smith, are designed for a split screen. The texts in both the upper and lower frame are grouped into short linear 'scenes' which form an overall 'movie'. But the sequence in the upper frame can be disrupted by clicking on hyperlinks (marked in capital letters), which allow the reader to jump to texts other than the ones which follow each other in sequence. Consequently the juxtaposition of the texts on the two different screens is also variable. The piece engages with the way in which linear systems are constantly disrupted by non-linearity. This is written into the piece at a formal level by the use of the hyperlinks, animation and split screen, which tend to disrupt normal reading processes. Thematically the piece also addresses the ways in which a simple cause and effect relationship rarely operates, even within scientific systems. At the same time the hypertextual network interconnects many different ideas including the cultural significance of illness, the process of writing, the commodification of women's bodies, and the atemporal nature of memory. <a href="http://www.australysis.com/eggsite/theegg/cart%20info.html">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Hazel Smith and Roger Dean. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith https://omeka.westernsydney.edu.au/adelta/files/original/674bfcedc888f135aa8882b63002b186.png 14bcad0c35e15010d5616187a94bee24 https://omeka.westernsydney.edu.au/adelta/files/original/e9fb3858990659f42992835ef30407d0.png 0ca71462fba4a5ae106536882f9e8d9c https://omeka.westernsydney.edu.au/adelta/files/original/63ef825e06e7f9e4959a05cc27de1861.png 9cdfeb44c837c42b42f0cb6163752553 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_5_2001/current/special-feature/intertqt/startqt.htm">http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_5_2001/current/special-feature/intertqt/startqt.htm</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_Intertwingling Title A name given to the resource Intertwingling Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 1999 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Hypertext https://omeka.westernsydney.edu.au/adelta/files/original/99eb9dec3d209d1e528d821b4a05ccf6.png aaa60510312df726ac25976b72a60b32 https://omeka.westernsydney.edu.au/adelta/files/original/be2b3954d3ac071ea6d2fad46c6537ac.png 6d9b17b8a650c7cd63983fb9c878212f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime CD-ROM Genre Hypermedia/Performed text Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000358b.htm">Excerpt from the online database Australian Sound Design Project</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_walkingFaultlines Title A name given to the resource Walking the Faultlines Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource A work created for CD-ROMs interactive participation, and amongst the winners of a competitive submission to the International Computer Music Association, who released it in 2000, on their 'Cyberquilts' CD-ROM anthology. The work can also be presented in performance with performed text, and the interactive sound and text from the CD-ROMs displayed. The CD-ROMs comprises sound (best played after transfer to hard disc), and a text display, both driven interactively from a computer. Up to 3 sound fields (comprising both verbal and non-verbal sound) can coexist with the displayed text fields. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000358b.htm">Excerpt from the online database Australian Sound Design Project</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean and Greg White. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Hypermedia Interactive CD-ROM Performed text https://omeka.westernsydney.edu.au/adelta/files/original/3afd878db436c4acd8d3a3dffde90d4d.png ba4889c7c82600b509556f144082b008 https://omeka.westernsydney.edu.au/adelta/files/original/20eeb3f24296847b4102123cfeafd344.png 458930c2155d403f307bcb9665af0482 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime/Shockwave Flash/Java Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.abc.net.au/arts/stuff-art/stuff-art99/stuff98/10.htm">http://www.abc.net.au/arts/stuff-art/stuff-art99/stuff98/10.htm</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000357b.htm">Excerpt from Australian Sound Design Project</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_Wordstuffs Title A name given to the resource Wordstuffs: the city and the body Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource This is an interactive hypermedia piece, designed for the web, and comprising text, sound, graphics and animation. Participants can create their own alternative pathways and combine the elements in many different ways. The work concerns the interface between the city and the body. It dislocates the concepts of a definable and locatable cityscape, and of a unified, gendered subject. It creates new assemblies and configurations of the body and the city. It thereby reconfigures them into a 'hyperscape', a postmodern site which is heterogeneous, global, and constantly changing, and which opens up new political and subjective spaces. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000357b.htm">Excerpt from Australian Sound Design Project</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Hypertext https://omeka.westernsydney.edu.au/adelta/files/original/22c7f358b77f5a39e8a7d7fb6c48b92c.png 0636aef0084b0c72b20f3e3ef74d4456 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=68">http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=68</a> Artist Statement A statement about the work, as provided by the artist(s). Points of View II - Babel addressed issues relating to the Falklands War. It implemented functional and iconographic structures that were similar to Points of View I. Egyptian hieroglyphs were used to articulate both a visual and psychological architecture - a hierarchical edifice that set out to identify the essential pathology of power and its inevitable predisposition to oppression and warfare. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=68">Statement from author's website</a> Genre Computergraphic/video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_pointsView2 Title A name given to the resource Points of View II - Babel Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1983 Contributor An entity responsible for making contributions to the resource Abel, Larry [Software] Van Vark, Tat [Hardware] Jungbauer, Charly [Hardware] Language A language of the resource English Description An account of the resource Artist Statement Points of View II - Babel addressed issues relating to the Falklands War. It implemented functional and iconographic structures that were similar to Points of View I. Egyptian hieroglyphs were used to articulate both a visual and psychological architecture - a hierarchical edifice that set out to identify the essential pathology of power and its inevitable predisposition to oppression and warfare. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=68">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Jeffrey Shaw Media Art https://omeka.westernsydney.edu.au/adelta/files/original/634039f7b9a715b2c8d24260b43a1d40.png 4fe63448020407017e0eec1bab4129ba https://omeka.westernsydney.edu.au/adelta/files/original/75f3110259092f4815878d0d6299eaa1.png baaca6dff0a63d98ac491be303dd4ee5 https://omeka.westernsydney.edu.au/adelta/files/original/386b5c4b7f8ed1b06f44b6e4cb700b6a.png 781dbec77e16e0d5c5bf7cad6b634ff0 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=67">http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=67</a> Artist Statement A statement about the work, as provided by the artist(s). Points of View was a 'theatre of signs' with both stage and protagonists being provided by a three-dimensional computer graphics simulation that was video projected onto a large screen in front of a seated audience...The representation of the actors on the stage was derived from the ancient Egyptian alphabet - each figure was a hieroglyphic character. This constellation of signs was used to articulate a world model with an underlying set of physical and conceptual relationships. Sixteen sound tracks - mostly spoken texts - were interactively linked to the image via the same joystick that controlled the visual movements. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=67">Excerpt from author's website</a> Genre Computergraphic/video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_pointsView1 Title A name given to the resource Points of View I Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1983 Contributor An entity responsible for making contributions to the resource Abel, Larry [Software] Van Vark, Tat [Hardware] Jungbauer, Charly [Hardware] Ziegler, Torsten [Software] Steine, Armin [Hardware] Produced under the auspices of the Mickery Theater, Amsterdam, Netherlands Language A language of the resource English Description An account of the resource Artist Statement Points of View was a 'theatre of signs' with both stage and protagonists being provided by a three-dimensional computer graphics simulation that was video projected onto a large screen in front of a seated audience...The representation of the actors on the stage was derived from the ancient Egyptian alphabet - each figure was a hieroglyphic character. This constellation of signs was used to articulate a world model with an underlying set of physical and conceptual relationships. Sixteen sound tracks - mostly spoken texts - were interactively linked to the image via the same joystick that controlled the visual movements. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=67">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Jeffrey Shaw Media Art https://omeka.westernsydney.edu.au/adelta/files/original/6ab1ca799fe248e50c76bd981f204219.png 3983507229d241f4169b19004535e322 https://omeka.westernsydney.edu.au/adelta/files/original/3557524a9c0a21f863b0139aa31a6e40.png 5ad8ffe2ac51c202f0a85d4a850bacf4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=72">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=72</a> Artist Statement A statement about the work, as provided by the artist(s). For the exhibition Kunst Over de Vloer artists were invited to create works in the rooms of a private apartment building. Anamorphoses of Memory was located in a sparse and untidy student's bedroom. A monitor was placed on a mattress on the floor with its screen facing upwards. On the monitor screen moving rows of text were anamorphically reflected onto a mirrored cylinder standing upright in the centre of the screen. These texts moved outwards from the centre of the screen in concentric circles. Reflected on the cylinder, they became vertically scrolling sentences which could be read by the viewers. The texts were written specially by Dirk Groeneveld and evoked certain erotic contingencies performed in this bedroom. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=72">Statement from author's website</a> Genre Computergraphic/video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_anamorphoses Title A name given to the resource Anamorphoses of Memory Creator An entity primarily responsible for making the resource Shaw, Jeffrey Groeneveld, Dirk Date A point or period of time associated with an event in the lifecycle of the resource 1986 Contributor An entity responsible for making contributions to the resource May, Gideon [Software] Language A language of the resource English Description An account of the resource Artist Statement For the exhibition Kunst Over de Vloer artists were invited to create works in the rooms of a private apartment building. Anamorphoses of Memory was located in a sparse and untidy student's bedroom. A monitor was placed on a mattress on the floor with its screen facing upwards. On the monitor screen moving rows of text were anamorphically reflected onto a mirrored cylinder standing upright in the centre of the screen. These texts moved outwards from the centre of the screen in concentric circles. Reflected on the cylinder, they became vertically scrolling sentences which could be read by the viewers. The texts were written specially by Dirk Groeneveld and evoked certain erotic contingencies performed in this bedroom. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=72">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Jeffrey Shaw Media Art https://omeka.westernsydney.edu.au/adelta/files/original/e89a711532b6fe7955a111404a2fe733.png f8c654bffa1b5f74ae8058303b81193c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). In this installation at the International Art & Science Exhibition a large, back projected high-resolution monitor was mounted on a motorised turntable. An infra-red joystick controlled the 360-degree rotation of this screen and the synchronous rotation of the viewer's point of view in the computer-generated scene. This joystick also allowed the viewer to move his point of view forwards and backwards in the scene. The computer-generated imagery showed a room that reproduced the appearance and proportions of the real room accommodating the installation. The virtual space (the image on the the screen) and the real space (the room) were optically aligned so that the viewer facing a door or a window in the real room would also be facing the same features in the simulated room. In this way Alice's Room set up a conjunction of virtual and actual spaces enabling reality and fiction be physically interpolated. Four computer-generated objects were added in this simulated environment - red, green, yellow and blue rectangular boxes in the corners of the room. When entered, each box became a room interior which looked exactly like the outer room while at the same time possessing unique characteristics. The first room showed the four coloured boxes in a continuous circulating process of splitting into thirty-two smaller boxes and then reassembling themselves. The second room showed two rows of large moving Japanese characters - a haiku written specially by Shuntaro Tanikawa. The third room contained a slowly rotating wire-frame hypercube. At the centre of the fourth room was a continuously turning replica of the actual video monitor. While this simulated monitor had a blank white screen, moving coloured reflections on the walls of the room conveyed the impression that it was being illuminated by images on this empty screen. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Statement from author's website</a> Genre Computergraphic installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_alice Title A name given to the resource Alice's Room Creator An entity primarily responsible for making the resource Shaw, Jeffrey May, Gideon Date A point or period of time associated with an event in the lifecycle of the resource 1989 Contributor An entity responsible for making contributions to the resource Huib Nelissen [Hardware] Floris van Manen [Hardware] Language A language of the resource English Description An account of the resource Artist Statement In this installation at the International Art & Science Exhibition a large, back projected high-resolution monitor was mounted on a motorised turntable. An infra-red joystick controlled the 360-degree rotation of this screen and the synchronous rotation of the viewer's point of view in the computer-generated scene. This joystick also allowed the viewer to move his point of view forwards and backwards in the scene. The computer-generated imagery showed a room that reproduced the appearance and proportions of the real room accommodating the installation. The virtual space (the image on the the screen) and the real space (the room) were optically aligned so that the viewer facing a door or a window in the real room would also be facing the same features in the simulated room. In this way Alice's Room set up a conjunction of virtual and actual spaces enabling reality and fiction be physically interpolated. Four computer-generated objects were added in this simulated environment - red, green, yellow and blue rectangular boxes in the corners of the room. When entered, each box became a room interior which looked exactly like the outer room while at the same time possessing unique characteristics. The first room showed the four coloured boxes in a continuous circulating process of splitting into thirty-two smaller boxes and then reassembling themselves. The second room showed two rows of large moving Japanese characters - a haiku written specially by Shuntaro Tanikawa. The third room contained a slowly rotating wire-frame hypercube. At the centre of the fourth room was a continuously turning replica of the actual video monitor. While this simulated monitor had a blank white screen, moving coloured reflections on the walls of the room conveyed the impression that it was being illuminated by images on this empty screen. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt https://omeka.westernsydney.edu.au/adelta/files/original/7f717b0aff5a374b9c678b92e5aaf971.png 518427f0ee8461d719411be0e297f696 https://omeka.westernsydney.edu.au/adelta/files/original/288302c63707549bb79605e339cfe9a8.png 605e1990868c11003a428537423dd5e4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). Large LED alphanumeric units are mounted in a 13 x 9 grid on the stage tower of this theatre. Like a conventional news sign textual information is scrolled through these elements, but because the alphanumeric units are spaced far apart, the projected information becomes abstracted into a more complex image - it generates a patterning of fragments of words and sentences that appear to weave in and out of the wall of the building. The theatre users interactively program this sign, taking titles and texts from performances that are being presented in the theatre. Thus the sculpture radiates fragments of texts from the current stage production to the viewers outside, and from a great distance draws attention and makes the building porous to a transfer of information from inside out. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Excerpt from author's website</a> Genre Mix media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_architext Title A name given to the resource Architext Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1993 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Novamatic, Eich, Germany [Hardware and Software] Description An account of the resource Artist Statement Large LED alphanumeric units are mounted in a 13 x 9 grid on the stage tower of this theatre. Like a conventional news sign textual information is scrolled through these elements, but because the alphanumeric units are spaced far apart, the projected information becomes abstracted into a more complex image - it generates a patterning of fragments of words and sentences that appear to weave in and out of the wall of the building. The theatre users interactively program this sign, taking titles and texts from performances that are being presented in the theatre. Thus the sculpture radiates fragments of texts from the current stage production to the viewers outside, and from a great distance draws attention and makes the building porous to a transfer of information from inside out. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Jeffrey Shaw Media Art https://omeka.westernsydney.edu.au/adelta/files/original/be0ae00ec6597903e4ddd19096c45aa1.png e5282422d9626f1210990766bb15ce94 https://omeka.westernsydney.edu.au/adelta/files/original/d9a7eabe9d0c975a140b2717c0ee8aa7.png 6ebe9980a29dbeb6f5a81be951243701 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Network Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). During Imagina '93 computer graphics installations in Monte Carlo and in Karlsruhe were connected by modem through a conventional telephone line. Facing large video screens, the two distant players each shared the same virtual image space. While manipulating their own graphic elements each person was at the same time seeing on the screen in front of them the result of their distant partner's actions [...] Sharing a televirtual space of alphabetic forms, the formal interaction of the two players was both a sculptural interplay of the letters as well as a tentative communication with words. Up to eight letters could be placed by each player on the board at one time, and each player's letters had a distinctive colour (magenta and cyan). These letters could be individually resized in width, height and depth, becoming more transparent as their size increased. Each letter could also be moved anywhere over and above the surface of the game board. After some time, letters that were not being manipulated in one way or another would disappear from the game board area. Another function allowed each player to independently control their angle of view over the whole scene, and a voice phone connection between the two sites also allowed the players to speak to each other while manipulating these letters in the shared virtual space. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Excerpt from author's website</a> Genre Network installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_televirtual Title A name given to the resource Televirtual Chit Chat Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1996 Language A language of the resource English Contributor An entity responsible for making contributions to the resource May, Gideon [Software] Description An account of the resource Artist Statement During Imagina '93 computer graphics installations in Monte Carlo and in Karlsruhe were connected by modem through a conventional telephone line. Facing large video screens, the two distant players each shared the same virtual image space. While manipulating their own graphic elements each person was at the same time seeing on the screen in front of them the result of their distant partner's actions [...] Sharing a televirtual space of alphabetic forms, the formal interaction of the two players was both a sculptural interplay of the letters as well as a tentative communication with words. Up to eight letters could be placed by each player on the board at one time, and each player's letters had a distinctive colour (magenta and cyan). These letters could be individually resized in width, height and depth, becoming more transparent as their size increased. Each letter could also be moved anywhere over and above the surface of the game board. After some time, letters that were not being manipulated in one way or another would disappear from the game board area. Another function allowed each player to independently control their angle of view over the whole scene, and a voice phone connection between the two sites also allowed the players to speak to each other while manipulating these letters in the shared virtual space. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive network installation Jeffrey Shaw https://omeka.westernsydney.edu.au/adelta/files/original/54f6cd7b486808d09a844d299cd807a9.png 8a6a0a7601b6deaf0b79d570d2e9cdb2 https://omeka.westernsydney.edu.au/adelta/files/original/f115c1b112883d926a25127e5cea9d94.png e22e470d4d27acd3ce2fda60cf6ec400 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=71#">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=71#</a> Artist Statement A statement about the work, as provided by the artist(s). In this installation images are projected onto a large screen lying flat on the floor of the exhibition space. The spectators stand on a surrounding balcony where a joystick enables any one of them to interactively operate the work by panning in any lateral direction over the surface of its images and zooming in or out of a chosen part of an image. At the zoom extremes the joystick generates a digital transition from one image layer to another. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=71">Excerpt from author's website</a> Genre Interactive computergraphic installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_narrative Title A name given to the resource The Narrative Landscape Creator An entity primarily responsible for making the resource Shaw, Jeffrey Groeneveld, Dirk Date A point or period of time associated with an event in the lifecycle of the resource 1984 Language A language of the resource English Description An account of the resource Artist Statement In this installation images are projected onto a large screen lying flat on the floor of the exhibition space. The spectators stand on a surrounding balcony where a joystick enables any one of them to interactively operate the work by panning in any lateral direction over the surface of its images and zooming in or out of a chosen part of an image. At the zoom extremes the joystick generates a digital transition from one image layer to another. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=71">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive video Jeffrey Shaw https://omeka.westernsydney.edu.au/adelta/files/original/a8d700562b8bf9e97b75f8f511428e90.png e2544059850d28b6326a85ac5e5dc7e8 https://omeka.westernsydney.edu.au/adelta/files/original/f8e7b316cfa36fda0abcaca2eeac26d3.png 682d1754691f17a1b1b0b8d49f8ac229 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=105#">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=105#</a> Artist Statement A statement about the work, as provided by the artist(s). In this installation a rotating platform allows the viewer to interactively rotate a projected image within a large circular projection screen and explore a three dimensional virtual environment constituted by an emblematic constellation of panoramic locations and cinematic events. The work presents a virtual landscape containing eleven cylinders that show particular sites in the Ruhr area. The viewer can navigate this 3D space and enter these panoramic cylinders, inside each of which a surrounding cinematic sequence fills the projection screen and presents a 360 degree pre-recorded situation and acted event[...]A microphone on top of this interface camera picks up any sound that the viewer makes, and this causes the release of continuously moving three dimensional words and sentences within the projected scene. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=105#">Excerpt from author's website</a> Genre Interactive video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_placeRuhr Title A name given to the resource Place - Ruhr Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 2000 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Mathias, Adolf [Software] Kiel, Andreas [Software] Nelissen, Huib [Hardware] Description An account of the resource Artist Statement In this installation a rotating platform allows the viewer to interactively rotate a projected image within a large circular projection screen and explore a three dimensional virtual environment constituted by an emblematic constellation of panoramic locations and cinematic events. The work presents a virtual landscape containing eleven cylinders that show particular sites in the Ruhr area. The viewer can navigate this 3D space and enter these panoramic cylinders, inside each of which a surrounding cinematic sequence fills the projection screen and presents a 360 degree pre-recorded situation and acted event[...]A microphone on top of this interface camera picks up any sound that the viewer makes, and this causes the release of continuously moving three dimensional words and sentences within the projected scene. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=105#">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. 3D Virtual environment Interactive installation Jeffrey Shaw https://omeka.westernsydney.edu.au/adelta/files/original/5cb131342e2ad19bc2cdc611e6be624d.png b397804e61332bc887753184844ee711 https://omeka.westernsydney.edu.au/adelta/files/original/3e7514149de0b0198fd554603f444756.png fa35d1b408d841b87089d02298e078b0 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#</a> Artist Statement A statement about the work, as provided by the artist(s). ConFIGURING the CAVE is a computer based interactive video installation that assumes a set of technical and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic virtual reality environment with contiguous projections on three walls and the floor. The user interface is a near life-size wooden puppet that is formed like the prosaic artists' mannequin; this figure can be handled by the viewers to control real time transformations of the computer generated imagery and the sound composition. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#">Excerpt from author's website</a> Genre Interactive computergraphic installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_configuring Title A name given to the resource ConFIGURING the CAVE Creator An entity primarily responsible for making the resource Shaw, Jeffrey Hegedues, Agnes Lintermann, Bernd Date A point or period of time associated with an event in the lifecycle of the resource 1996 Contributor An entity responsible for making contributions to the resource Lintermann, Bernd [Software] Stuck, Leslie [Music] Language A language of the resource English Description An account of the resource Artist Statement ConFIGURING the CAVE is a computer based interactive video installation that assumes a set of technical and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic virtual reality environment with contiguous projections on three walls and the floor. The user interface is a near life-size wooden puppet that is formed like the prosaic artists' mannequin; this figure can be handled by the viewers to control real time transformations of the computer generated imagery and the sound composition. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt https://omeka.westernsydney.edu.au/adelta/files/original/0bc182692f0c9518299b536c6969408b.png b5e98eb137b678224fe007b87492b3bb https://omeka.westernsydney.edu.au/adelta/files/original/04922eeabb0cd259db9f16028578fe6f.png 412bf4bbf7f320f234c694df464bd939 https://omeka.westernsydney.edu.au/adelta/files/original/5852fef35b78f0280d0a7c6a3a9d4c20.png 1dfe51f60272e8ffaa328de1dbaaa886 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=96#">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=96#</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.iamas.ac.jp/interaction/i97/artist_Shaw.html">Excerpt from IAMAS, the Institute of Advance Media Arts and Science</a> Artist Statement A statement about the work, as provided by the artist(s). The installation has a large cylindrical projection screen with a round motorised platform in its centre, a computer and three video projectors that project onto a 120-degree portion of the screen. Continuous rotation of this viewing window around the screen reveals the full 360-degree computer-generated scene. While the work is controlled and generally viewed from within the circumference of the screen, the projected image can also be seen on its outside surface. The user interface in this work is a modified video camera. By rotating this camera and using its zoom and play buttons, the viewer controls his forward, backward and rotational movements through the virtual scene as well as the rotation of the platform and of the projected image around the circular screen. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=96#">Excerpt from author's website</a> Genre Computergraphic/Photo installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_placeUser Title A name given to the resource Place - a User's Manual Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1995 Description An account of the resource This work extends the tradition of panorama painting, photography and cinematography in the vector of simulation and virtual reality. A rotating platform with three video projectors allows the viewer to interactively rotate his window of view around a circular projection screen and so explore a virtual three dimensional world constituted by an emblematic constellation of panoramic photographic landscapes. <a href="http://www.iamas.ac.jp/interaction/i97/artist_Shaw.html">Excerpt from IAMAS, the Institute of Advance Media Arts and Science</a> Artist Statement The installation has a large cylindrical projection screen with a round motorised platform in its centre, a computer and three video projectors that project onto a 120-degree portion of the screen. Continuous rotation of this viewing window around the screen reveals the full 360-degree computer-generated scene. While the work is controlled and generally viewed from within the circumference of the screen, the projected image can also be seen on its outside surface. The user interface in this work is a modified video camera. By rotating this camera and using its zoom and play buttons, the viewer controls his forward, backward and rotational movements through the virtual scene as well as the rotation of the platform and of the projected image around the circular screen. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=96#">Source of Artist Statement</a> Language A language of the resource English Contributor An entity responsible for making contributions to the resource Mathias, Adolf [Software] Nelissen, Huib [Hardware] Bossinade, Bas [Hardware] Waliczky, Tamas [2-D graphics] Camphausen, Rufus [Consultant] Produced under the auspices of the Neue Galerie am Landesmuseum Joanneum, Graz, Austria in cooperation with Stiftung Kulturfonds, Berlin, Germany and the ZKM, Karisuhe, Germany Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt https://omeka.westernsydney.edu.au/adelta/files/original/a4397d20cc678b1757db48a3f011a9fe.png 7a3ab1440432b066405204346d4665a0 https://omeka.westernsydney.edu.au/adelta/files/original/8eb89e1f094c1986256a4ca57baed139.png 19c670d9de05510fd3e659e98f7c688a ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.medienkunstnetz.de/works/the-virtuel-museum/">http://www.medienkunstnetz.de/works/the-virtuel-museum/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.medienkunstnetz.de/works/the-virtuel-museum/">Description from Media Art Net, website for media artwork</a> Genre Interactive environment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_virtualMuseum Title A name given to the resource The Virtual Museum Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1991 Description An account of the resource An exact reproduction of the exhibition space is shown on a large monitor placed on a circular, motorized platform. Sitting in front of the screen in an armchair, visitors can navigate their way through four further virtual spaces by using the weight of their body to tip or swivel the chair. Each of these spaces contains different things: a gallery of pictures with running captions; an accumulation of sculptures consisting of letters of the alphabet; characters from the kanji alphabet on which sequences of film can be seen and floating letters that become a source of light. This 'Virtual Museum' functions only in part as a visual memory facility. Although every artistic medium is represented in it, paintings, sculptures, films and the computer-generated space itself are all transformed into signs that can be interpreted only with the help of specialist knowledge. <a href="http://www.medienkunstnetz.de/works/the-virtuel-museum/">Description from Media Art Net, website for media artwork</a> Language A language of the resource English Contributor An entity responsible for making contributions to the resource May, Gideon [Software] Nelissen, Huib [Hardware] Bossinade, Bas [Hardware] Produced under the auspices of the Stadelschule, Institut fur Neue Medien, Frankfurt a.M., Germany Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt https://omeka.westernsydney.edu.au/adelta/files/original/7e2b56b3ae126581edeb1cf4db5ab7c6.png c3abedcd422f1b5af9b2469567bce820 https://omeka.westernsydney.edu.au/adelta/files/original/adcda94fe1ab247ef1c648c26951fe69.png c0d0851cad90e60b0106cae9eab35afc https://omeka.westernsydney.edu.au/adelta/files/original/02f3236884b7d0f59672bdfe623d9846.png 3da5030057c7d98f100436a696963808 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.youtube.com/watch?v=61l7Y4MS4aU">http://www.youtube.com/watch?v=61l7Y4MS4aU</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). In The Legible City the visitor is able to ride a stationary bicycle through a simulated representation of a city that is constituted by computer-generated three-dimensional letters that form words and sentences along the sides of the streets. Using the ground plans of actual cities - Manhattan, Amsterdam and Karlsruhe - the existing architecture of these cities is completely replaced by textual formations written and compiled by Dirk Groeneveld. Travelling through these cities of words is consequently a journey of reading; choosing the path one takes is a choice of texts as well as their spontaneous juxtapositions and conjunctions of meaning. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Excerpt from author's website</a> Genre Interactive video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_legible Title A name given to the resource Legible City Creator An entity primarily responsible for making the resource Shaw, Jeffrey Groeneveld, Dirk Date A point or period of time associated with an event in the lifecycle of the resource 1988-91 Contributor An entity responsible for making contributions to the resource May, Gideon [Software] Schmitt, Lothar Van Vark, Tat [Hardware] Jungbauer, Charly [Hardware] Nelissen, Huib [Hardware] Language A language of the resource English Description An account of the resource Artist Statement In The Legible City the visitor is able to ride a stationary bicycle through a simulated representation of a city that is constituted by computer-generated three-dimensional letters that form words and sentences along the sides of the streets. Using the ground plans of actual cities - Manhattan, Amsterdam and Karlsruhe - the existing architecture of these cities is completely replaced by textual formations written and compiled by Dirk Groeneveld. Travelling through these cities of words is consequently a journey of reading; choosing the path one takes is a choice of texts as well as their spontaneous juxtapositions and conjunctions of meaning. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive video Jeffrey Shaw MediaArt https://omeka.westernsydney.edu.au/adelta/files/original/42650f353fbac94ed5e71ad8267bd720.png 9928ccc7396ac56930120c91e7b554e2 https://omeka.westernsydney.edu.au/adelta/files/original/d71f4d4e91173d6b990cb37b3b85513f.png a42b7636ade890afefaf86e77c2d78fe https://omeka.westernsydney.edu.au/adelta/files/original/63402e55577cba6d64a9f90b32eb0093.png fccbec78c85bc212c00d7de938647d7d ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/2832934">http://vimeo.com/2832934</a> Genre Interactive video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_placeHampi Title A name given to the resource Place - Hampi Creator An entity primarily responsible for making the resource Shaw, Jeffrey Kenderdine, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt https://omeka.westernsydney.edu.au/adelta/files/original/2dd2c87b6d43b5c479d655f39d04dd56.png a4e337982f16fce88b2a2bb71cfee73b https://omeka.westernsydney.edu.au/adelta/files/original/412f74e6e461d236ab13601f9c581041.png fbe29517aa71c0733b9f112afa5762b4 https://omeka.westernsydney.edu.au/adelta/files/original/d170659f54ff4bb0c890234b442ef96b.png c9670fe9a594e4a581d5627f8ccae393 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Network installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). The Net.Art Browser is a means of conjoining information space with the museum space and hybridizing the interactivity of surfing the Internet with the museum tradition of wall mounted images. While painting, cinema and TV construe images inside a fixed frame, the notion of 'augmented reality' that accompanied the development of the virtual reality technologies offers the new paradigm of a mobile viewing window that reveals images that are spatially embedded in the real environment. Using this model, the Net.Art Browser's web sites, curated by Benjamin Weil, are virtually placed side by side along a white wall. A motorized large flat screen (linked to a cableless keyboard) allows the viewer to move this display window linearly (in either direction) from one Internet-connected web site to another. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Statement from author's website</a> Genre Multimedia installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_netArt Title A name given to the resource The Net.Art Browser Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1999 Language A language of the resource English Description An account of the resource Artist Statement The Net.Art Browser is a means of conjoining information space with the museum space and hybridizing the interactivity of surfing the Internet with the museum tradition of wall mounted images. While painting, cinema and TV construe images inside a fixed frame, the notion of 'augmented reality' that accompanied the development of the virtual reality technologies offers the new paradigm of a mobile viewing window that reveals images that are spatially embedded in the real environment. Using this model, the Net.Art Browser's web sites, curated by Benjamin Weil, are virtually placed side by side along a white wall. A motorized large flat screen (linked to a cableless keyboard) allows the viewer to move this display window linearly (in either direction) from one Internet-connected web site to another. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Jeffrey Shaw Multimedia Network installation https://omeka.westernsydney.edu.au/adelta/files/original/58c4342a1e117b1ee6ac6602c0f4106f.png 9cd8427c7bdab0aa4f3c389c0c5936c3 https://omeka.westernsydney.edu.au/adelta/files/original/da22dc81a8fbe5f88300d069532a4b85.png 3b9f13147fee153c192dd8e5df266f84 https://omeka.westernsydney.edu.au/adelta/files/original/fbb7b2b44ed55c078f100d0bc05455ec.png 8a98034eb168fe42c6ffa36a78cc8d3f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm">Description in artist's website</a> Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm">http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm</a> Genre Generative sound/video/audio/text installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_engine Title A name given to the resource Engine of Engines Creator An entity primarily responsible for making the resource Seaman, Bill Howe, Daniel Language A language of the resource English Description An account of the resource The Engine of Engines is a generative sound and video installation that responds in real-time to network traffic in the local environment. In the Hong Kong debut (see video), sixteen self-contained nodes, each comprised of a screen, processing-unit, audio output, and flash memory, are suspended in space by connective wire. Together these nodes react dynamically to the nearly one thousand computers in the School of Creative Media's labs, offices and classrooms. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm">Source of Description</a> Date A point or period of time associated with an event in the lifecycle of the resource 2011 - present Rights Information about rights held in and over the resource Copyright William Seaman and Daniel Howe. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Daniel Howe https://omeka.westernsydney.edu.au/adelta/files/original/10f53f494c9a44c7afefc366c8ac03e2.png 63e05642ba7bcdb2a0154467d14bd1ec https://omeka.westernsydney.edu.au/adelta/files/original/cce3b7cfe89ae21fd87ba183345b1da0.png 6a35d0f8f7b1ad6132ad58e640dc66c8 https://omeka.westernsydney.edu.au/adelta/files/original/9beffce910176b23af87ba16d2f5c6c1.png a4f3503d441e5f0a0a38ae69a7931370 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm">http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm">Description from author's website</a> Genre Generative video/audio/text installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_arquitecture Title A name given to the resource Architecture of Association Creator An entity primarily responsible for making the resource Seaman, Bill Howe, Daniel Date A point or period of time associated with an event in the lifecycle of the resource 2008 Language A language of the resource English Description An account of the resource The Architecture of Association is a large-scale, generative artwork that draws associative links between media elements to form an evolving visual collage. A distributed flow of image, video and poetic text is "intelligently" distributed over a number of display surfaces. As the work is emergent in nature, it does not repeat sequences of images or texts but instead dynamically generates a continuously recombinant network of associations. In 1995, Seaman coined the term 'Recombinant Poetics' to articulate a set of generative virtual worlds. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm">Source of Description</a> Rights Information about rights held in and over the resource Copyright William Seaman and Daniel Howe. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Daniel Howe Generative video Text https://omeka.westernsydney.edu.au/adelta/files/original/c8d75b22511dc86ef28a816278a8c1f6.png 6ebe25b6de92fe85e3e01962dabf4dfa https://omeka.westernsydney.edu.au/adelta/files/original/9f4e50d0adc7882c4228738772c1532e.png 167c11ca901f23afb11bbae465d1b85b https://omeka.westernsydney.edu.au/adelta/files/original/d49a2a051bd01f791afc8e12c5e47e6c.png 139d61f7f54e2bfdfbc8b264c3c695f0 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://billseaman.com/">http://billseaman.com/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://billseaman.com/">Description from author's website</a> Genre Interactive video Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_watchDetail Title A name given to the resource The Watch Detail Creator An entity primarily responsible for making the resource Seaman, Bill Date A point or period of time associated with an event in the lifecycle of the resource 1990 Language A language of the resource English Description An account of the resource The first major interactive work was entitled The Watch Detail (1990). Video images, sound and text that addressed the subject of time were explored interactively. This work employed Macintosh Hypercard media, that was used to control an interactive laserdisc. Thus the work became a meta-media time piece. A large database of time-oriented images, and texts could be navigated, juxtaposed and/or re-oriented in time. The media-time of the image could also be explored where a participant could move forward, backward, stay still, as well as move fast forward and fast backward. An elaborate poetic text made of short individual observations about time was made available to the user of the system. The participant could juxtapose any of the video and still material, move from chapter to chapter, edit segments, trigger sequences of encoded database material in relation to chosen selected textual criteria, view a set of still images with text superimpositions, or view material in a linear mode. A linear video also exists with this title. <a href="http://billseaman.com/">Source of Description</a> Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Interactive video Linear video