5 25 263 https://omeka.westernsydney.edu.au/adelta/files/original/f6d27a9ee546cab6149d0744bdd68180.png 1593bd94abadce4f02fb55f71ebc9930 https://omeka.westernsydney.edu.au/adelta/files/original/dd0578db587ed4648f75dfd89dcbd54b.png 914a602d62d9ee2bb6aa17602dfe42d9 https://omeka.westernsydney.edu.au/adelta/files/original/45b673bec282b3b7d7acd17290a576d5.png c4fc142376afa539d5c8f7cefb889d64 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/aland/">http://www.subtle.net/aland/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Artist's notes Artist Statement A statement about the work, as provided by the artist(s). a.land is a journey thru fragments of memory - internal and external landscapes that are common to us all. Inspired by ferry trips on the Baltic Sea, it is a glimpse of life from our cabin aboard a cruise ship on the seas of the www. a.land offers gentle views through differing portholes of perception on love, longing, space, and time. aland's cyclic, poetic and immersive narrative maps both our internal and external environments via fragments of literature, 19th century paintings and partially recalled events. the purpose of a.land is to identify and reflect upon the physcological, geographical and virtual stratas which both visibly and invisibly connect us - where ever we happen to be physically located. Genre Web based interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_aLand Title A name given to the resource A.Land Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 1999 Description An account of the resource A.Land is an online DHTML project in which users move through fragments of texts and images: both original and borrowed from sources as diverse as Heraclitus to Katherine Hayles presented via 'portholes of perception'. These portholes were inspired from Rackham's journeys on Baltic ferries, in which seemingly limited views can generate multiple material and immaterial 'worlds'. The work assembles a poetic hypertext narrative via user selecting java coded sequences which recur throughout the virtual worlds of the work. Description from Artist's notes Artist Statement A.Land is a journey thru fragments of memory - internal and external landscapes that are common to us all. Inspired by ferry trips on the Baltic Sea, it is a glimpse of life from our cabin aboard a cruise ship on the seas of the www. A.Land offers gentle views through differing portholes of perception on love, longing, space, and time. aland's cyclic, poetic and immersive narrative maps both our internal and external environments via fragments of literature, 19th century paintings and partially recalled events. the purpose of a.land is to identify and reflect upon the physcological, geographical and virtual stratas which both visibly and invisibly connect us - where ever we happen to be physically located. Language A language of the resource English Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham https://omeka.westernsydney.edu.au/adelta/files/original/416811bdaeb7647eadfbd861c2aa4350.png 45721d23ad14f4ed01082572eaee9a4a https://omeka.westernsydney.edu.au/adelta/files/original/f86c37201d17e62700e74fe5dcffb049.jpg ef1c1dc51f8a7e818ee60b6630dd6900 https://omeka.westernsydney.edu.au/adelta/files/original/d2e287ce6858022e02dbe1abd1388f15.jpg a1afb9bbacf9339593c4f282e67eb044 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://sallypryor.com/works/tunis.html">http://sallypryor.com/works/tunis.html</a> Artist Statement A statement about the work, as provided by the artist(s). Postcard from Tunis is not an objective documentary (if such a thing actually exists). Instead, it's a playful, artistic exploration of writing: its histories, its inscriptions, its relationships with pictures and its relevance to the human-computer interface. This is set in a very personal, audiovisual portrait of Tunis, the capital of Tunisia. This is a city and culture that I love, and the home of my former family-in-law. I programmed the unique interface so that it echoes an actual visit, where you can't help learning a few Tunisian words and with time, maybe starting to read written Arabic. Although it was designed for adults, children have shown a strong affinity with the CD-ROM and the interface is bilingual in English and French. <a href="http://sallypryor.com/works/tunis/details.html">Excerpt from author's website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://sallypryor.com/works/tunis/details.html">Excerpt from author's website</a> Genre Interactive multimedia Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime CD ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pryor_tunis Title A name given to the resource Postcard from Tunis Creator An entity primarily responsible for making the resource Pryor,Sally Date A point or period of time associated with an event in the lifecycle of the resource 1999 Language A language of the resource English/French/Arabic Rights Information about rights held in and over the resource Copyright Sally Pryor. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Postcard from Tunis is not an objective documentary (if such a thing actually exists). Instead, it's a playful, artistic exploration of writing: its histories, its inscriptions, its relationships with pictures and its relevance to the human-computer interface. This is set in a very personal, audiovisual portrait of Tunis, the capital of Tunisia. This is a city and culture that I love, and the home of my former family-in-law. I programmed the unique interface so that it echoes an actual visit, where you can't help learning a few Tunisian words and with time, maybe starting to read written Arabic. Although it was designed for adults, children have shown a strong affinity with the CD-ROM and the interface is bilingual in English and French. <a href="http://sallypryor.com/works/tunis/details.html">Source of Artist Statement</a> CD ROM Sally Pryor https://omeka.westernsydney.edu.au/adelta/files/original/31533bc04b3d0d9bb517ccf01f558b2d.png 56dacd63b3f57df92ed0443441452c58 https://omeka.westernsydney.edu.au/adelta/files/original/2b40cd111a881179a09efafaf1cd401b.png af248fb03b4420379cf1c9760578bd50 https://omeka.westernsydney.edu.au/adelta/files/original/2450c6a47ddbc79dfa06dbbf855afd81.png d1793cd479c9d4d3a14eb9ddcfcd19ca ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Shockwave/CD ROM Work URL The URL of the original work, included as an HTML link. <a href="http://sallypryor.com/works/postcards.html">http://sallypryor.com/works/postcards.html</a> Artist Statement A statement about the work, as provided by the artist(s). What exactly IS writing? Is picture writing something that is half way between pictures and writing? And is it a useful concept for thinking about new media writing and interfaces? One approach to these questions is provided by Integrationism, a radical new theory of language and communication which Roy Harris has applied to a groundbreaking analysis of writing. In this view, writing is teased apart from speech (transcription of speech is just one of writing's possible uses) and re-aligned with spatial configurations in general. 'Picture writing' then becomes a meaningless and rather ethnocentric term because the boundary between writing and pictures is shown to be fluid, rather than fixed. These are quite difficult ideas to grasp in a world where written words are so important. In Postcards from Writing, a kind of intellectual road movie, I artistically express my own encounter with them and explore their implications for new media writing and interfaces. My work offers users an interactive experience, rather than simply an illustrated lecture, because user interaction creates dynamic and multidimensional signs that illuminate the ideas I'm trying to express. <a href="http://sallypryor.com/works/postcards.html">Statement from author's website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://sallypryor.com/works/postcards.html">Statement from author's website</a> Genre Interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pryor_writing Title A name given to the resource Postcards from Writing Creator An entity primarily responsible for making the resource Pryor, Sally Date A point or period of time associated with an event in the lifecycle of the resource 2004 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Sally Pryor. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement What exactly IS writing? Is picture writing something that is half way between pictures and writing? And is it a useful concept for thinking about new media writing and interfaces? One approach to these questions is provided by Integrationism, a radical new theory of language and communication which Roy Harris has applied to a groundbreaking analysis of writing. In this view, writing is teased apart from speech (transcription of speech is just one of writing's possible uses) and re-aligned with spatial configurations in general. 'Picture writing' then becomes a meaningless and rather ethnocentric term because the boundary between writing and pictures is shown to be fluid, rather than fixed. These are quite difficult ideas to grasp in a world where written words are so important. In Postcards from Writing, a kind of intellectual road movie, I artistically express my own encounter with them and explore their implications for new media writing and interfaces. My work offers users an interactive experience, rather than simply an illustrated lecture, because user interaction creates dynamic and multidimensional signs that illuminate the ideas I'm trying to express. <a href="http://sallypryor.com/works/postcards.html">Source of Artist Statement</a> CD ROM Interactive multimedia Sally Pryor https://omeka.westernsydney.edu.au/adelta/files/original/19b0013cbc5d6111613214f43d8a8863.png 4dfb5496f3d6f10d366454cf02eadad2 https://omeka.westernsydney.edu.au/adelta/files/original/5745ba1deb5929e4c7b356a6e27a2008.png badebcb82679c5817f23d307a5a06057 https://omeka.westernsydney.edu.au/adelta/files/original/5018ec33bf447ac786b59d6da867e6a5.png 4d863ff31ba88ba6cfbf8ac7b9656132 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Video Work URL The URL of the original work, included as an HTML link. <a href="http://sallypryor.com/works/med.html">http://sallypryor.com/works/med.html</a> Artist Statement A statement about the work, as provided by the artist(s). Twills is a generative video work, dynamic and mostly text-based. It was projected on the wall in the show and explores the roles of medication in contemporary life and the complex responses people have to these. I harvested twitter for several months in 2013 looking for interesting tweets containing the words pills or medication and built a database of over 500 tweets. Then I wrote a program to assemble random collections of tweets into structured collages of these many different hopes, fears, problems, solutions and experiences of medication. People are remarkably candid on twitter and their tweets are thought-provoking in themselves, but when they are combined in unexpected ways, new stories are continually generated. <a href="http://sallypryor.com/works/med.html">Excerpt from author's website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://sallypryor.com/works/med.html">Excerpt from author's website</a> Genre Generative video work/Multimedia installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pryor_twills Title A name given to the resource On medication: Twills (tweets about pills) Creator An entity primarily responsible for making the resource Pryor,Sally Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Golin, Carlo McDonald, Bill Language A language of the resource English Rights Information about rights held in and over the resource Copyright Sally Pryor. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Twills is a generative video work, dynamic and mostly text-based. It was projected on the wall in the show and explores the roles of medication in contemporary life and the complex responses people have to these. I harvested twitter for several months in 2013 looking for interesting tweets containing the words pills or medication and built a database of over 500 tweets. Then I wrote a program to assemble random collections of tweets into structured collages of these many different hopes, fears, problems, solutions and experiences of medication. People are remarkably candid on twitter and their tweets are thought-provoking in themselves, but when they are combined in unexpected ways, new stories are continually generated. <a href="http://sallypryor.com/works/med.html">Source of Artist Statement</a> Generative video work Multimedia installation Sally Pryor https://omeka.westernsydney.edu.au/adelta/files/original/4d696ba602e423e4a49769e2feb2895c.png ff5be837e693f93be1eb514084b04f55 https://omeka.westernsydney.edu.au/adelta/files/original/2a332bc48d46e0ed9f646d5bd6801237.png 46bbba637a694438f61fb242709383c0 https://omeka.westernsydney.edu.au/adelta/files/original/8b4ffb83d719a7b67a31c203614c4708.png b5ada5992f6c4c19204e20e1488a4aa1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Work URL The URL of the original work, included as an HTML link. <a href="http://www.sallypryor.com/tropicality.html">http://www.sallypryor.com/tropicality.html</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. Fbitch Genre Web based interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pryor_Tropicality Title A name given to the resource Tropicality Creator An entity primarily responsible for making the resource Pryor,Sally Date A point or period of time associated with an event in the lifecycle of the resource 2012 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Sally Pryor. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Animated web work Sally Pryor https://omeka.westernsydney.edu.au/adelta/files/original/c9fe73e1df69dfb45ff66812d950bcd9.png d5becc1004cd8a9ba7a94df823a8a6de https://omeka.westernsydney.edu.au/adelta/files/original/22cdd44c370b393aa6b36a03db58b477.png 42ea3e44134aab136488a9a202383380 https://omeka.westernsydney.edu.au/adelta/files/original/9e48d293a03a5d0147e40cbbb3b97637.png 55ccd737ca6600c3f7f87352c6ddddfe ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Web based participatory documentary Work URL The URL of the original work, included as an HTML link. <a href="http://www.duckdigital.net/FOD/">http://www.duckdigital.net/FOD/</a> Artist Statement A statement about the work, as provided by the artist(s). The Flight of Ducks [is] a participatory online documentary built around a collection of objects from a camel expedition into Central Australia in 1933. [This work] takes the textual form of a journey through a landscape and turns it into a contextual universe where hypertext paths can be taken through a datascape. These paths form stories. Narratives that can dip into their paper bound origins or plunge into the poetics of the screen space. In this space they are composed into shimmering pixilated displays where image and text are inseparable and anyone can participate. <a href="http://www.duckdigital.net/FOD/FOD0259.html#Types">Excerpt from author's article Duck Song: Text and Image in on-line narrative. </a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.duckdigital.net/FOD/FOD0259.html#Types">Excerpt from author's article Duck Song: Text and Image in on-line narrative. </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pockley_ducks Title A name given to the resource The Flight of Ducks Creator An entity primarily responsible for making the resource Pockley, Simon Date A point or period of time associated with an event in the lifecycle of the resource 1995-ongoing Language A language of the resource English Rights Information about rights held in and over the resource Copyright Simon Pockley. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement The Flight of Ducks [is] a participatory online documentary built around a collection of objects from a camel expedition into Central Australia in 1933. [This work] takes the textual form of a journey through a landscape and turns it into a contextual universe where hypertext paths can be taken through a datascape. These paths form stories. Narratives that can dip into their paper bound origins or plunge into the poetics of the screen space. In this space they are composed into shimmering pixilated displays where image and text are inseparable and anyone can participate. <a href="http://www.duckdigital.net/FOD/FOD0259.html#Types">Excerpt from author's article: Duck Song: Text and Image in on-line narrative.</a> Critical work Hypertext Participatory online documentary Simon Pockley https://omeka.westernsydney.edu.au/adelta/files/original/a55d39e9f8986c0b47a27acc64e3607a.png a0835deb82d32b87ccf868c8ffdaa574 https://omeka.westernsydney.edu.au/adelta/files/original/e7616d2536a870c9c090bdba9b0218ec.png 6b03c9dd12b7c6702d906ec94c04b11e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.out-of-sync.com/searching/">http://www.out-of-sync.com/searching/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). Searching for rue Simon-Crubellier is a video/sound installation, which is part of a cross media project that also includes the Internet site The 4th Floor. The project was begun in Paris in 2004 while doing a residency at the Cite Internationale des Arts. The work takes as a point of departure the experience of being Australians in Paris and reading George Perec's book Life a User's Manual. In this book Perec creates a puzzle of a novel set in a building located in the 17th arrondissement of Paris at number 11 rue Simon-Crubellier. Excerpt from artists' website Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. Frackham Genre Multimedia installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_simonCrubellier Title A name given to the resource Searching for rue Simon-Crubellier Creator An entity primarily responsible for making the resource Out-of-sync Miranda, Maria Neumark, Norie Date A point or period of time associated with an event in the lifecycle of the resource 2009 Description An account of the resource A site specific performative multi-media experiment/exploration of myth and map making, of bodies, space and the many modalities of old and new media. The work documents the artists' search/research for fictional site in Paris inspired by the work of Perec. The artists imposed on themselves a set of rules. The primary rule was that when they asked for directions to rue Simon-Crubellier, they were obliged to follow those directions. According to the artists: "Searching for rue Simon-Crubellier is a process-based, interdisciplinary and conceptual work. It is an actual search for an imaginary place -- exploring actual and imagined relations to place. In searching for rue Simon-Crubellier, the work poses the question: is it possible to bring something that does not exist into existence by searching for it?". Gillian Fuller Artist Statement Searching for rue Simon-Crubellier is a video/sound installation, which is part of a cross media project that also includes the Internet site The 4th Floor. The project was begun in Paris in 2004 while doing a residency at the Cite Internationale des Arts. The work takes as a point of departure the experience of being Australians in Paris and reading George Perec's book Life a User's Manual. In this book Perec creates a puzzle of a novel set in a building located in the 17th arrondissement of Paris at number 11 rue Simon-Crubellier. Excerpt from artists' website Language A language of the resource English/French Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Out-of-sync https://omeka.westernsydney.edu.au/adelta/files/original/073d089bdf53958b62cded5235bd2980.png ce2b201047c03438b1044ce4f0fc0e34 https://omeka.westernsydney.edu.au/adelta/files/original/3d2d08591d11e812cb96744ba39d76b6.png 7220aba5d7def7bec2958acab3ecf727 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://scan.net.au/scan/gallery/works/miranda/4thFloor/index.html">http://scan.net.au/scan/gallery/works/miranda/4thFloor/index.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://rhizome.org/artbase/artwork/47607/">Excerpt from Rhizome.org, a website on Contemporary Art and Technology</a> Genre Interactive research log/Hypermedia/Vlog Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_fourthFloor Title A name given to the resource Searching for rue Simon-Crubellier: The Fourth Floor: le quatrieme etage Creator An entity primarily responsible for making the resource Out-of-sync Neumark, Norie Miranda, Maria Date A point or period of time associated with an event in the lifecycle of the resource 2008 Description An account of the resource The Fourth Floor: le quatrieme etage is a bi-lingual Internet work and is the first part of a larger project entitled The Search for rue Simon-Crubellier. The work explores real and imagined relations to place and poses the question: is it possible to bring something that does not exist into existence by searching for it? In this fictive work a resident of the City. <a href="http://rhizome.org/artbase/artwork/47607/">Excerpt from Rhizome.org, a website on Contemporary Art and Technology</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Out-of-sync Vlog https://omeka.westernsydney.edu.au/adelta/files/original/90bba343f58425858b7326442681da77.png 35dea1901230fb305e534639fe3fb73e https://omeka.westernsydney.edu.au/adelta/files/original/860cfa7296001d8d60df71ff85eb556b.png 42f0d0929b7a16ba2f1d569e89d6b351 https://omeka.westernsydney.edu.au/adelta/files/original/153c63975aac9a587d0e55a9341d04b9.png f8dc6efdff0299513a7f6beda8a936a1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Video installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html">http://www.out-of-sync.com/InsearchSea/Insearch1.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). In 1829-30 the explorer Charles Sturt and his party hauled a whaling boat over the mountains to sail downstream along the Murrumbidgee River to the Murray in search of an imaginary inland sea. Beginning in Sydney, the artists made a (miniature - paper) whaling boat to take along Sturt's trail, the boat acting as a transportation/transformation device for their journey into memory and imagination. Making paper boats with found material along the way, and then with videos and soundtracks, they updated Sturt's journey as a performative media event for the 21st century. Three soundtracks, three scenes and a pile of paper boats.<a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html"> </a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html">Description from artists' website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_inlandsea Title A name given to the resource In Search of the Inland Sea Creator An entity primarily responsible for making the resource Out-of-sync Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Neumark, Norie Miranda, Maria Description An account of the resource In Search of the Inland Sea is a three part video/sound work, installation and performance event that remixes a journey of early Australian explorer, Charles Sturt, in which he hauled a whaleboat overland in search of an inland sea. As the artists record their journey into inland Australia, they carry paper boats with them. These boats intervene or feature in each of the narratives that are laid over physical places visited on the journey. In voiceover actors narrate scenes taken from genre movies. Gillian Fuller Artist Statement In 1829-30 the explorer Charles Sturt and his party hauled a whaling boat over the mountains to sail downstream along the Murrumbidgee River to the Murray in search of an imaginary inland sea. Beginning in Sydney, the artists made a (miniature - paper) whaling boat to take along Sturt's trail, the boat acting as a transportation/transformation device for their journey into memory and imagination. Making paper boats with found material along the way, and then with videos and soundtracks, they updated Sturt's journey as a performative media event for the 21st century. Three soundtracks, three scenes and a pile of paper boats. <a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Out-of-sync https://omeka.westernsydney.edu.au/adelta/files/original/e0bf280c868e756e4f771dc3098f6411.png 0045d2331ef749273c5a0c282dab2197 https://omeka.westernsydney.edu.au/adelta/files/original/21b89a48d2095f0b921142784e836c86.png ff860fe77cbb07f7008a2c115ebfebc4 https://omeka.westernsydney.edu.au/adelta/files/original/7f352fa5583102892e435fa997f8bb25.png 16470d82d7f999a708ef02c8c3bc7a3c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video/Performance Work URL The URL of the original work, included as an HTML link. <a href="http://www.remixthebook.com/the-art-of-walking">http://www.remixthebook.com/the-art-of-walking</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). The Art of Walking where we remix Agnes Varda's Vagabond, our own online project Museum of Rumour and Mark Amerika's Sentences on Remixology 1.0 with a dash of Hamish Fulton the walking artist. The work came about through serendipity. Mark's deadline for his Remix project was looming and we had just read his Sentences on Remixology 1.0 a wonderful piece of writing that detourned Sol Lewitt's own Sentences on Conceptual Art. Mark had completely rethought what it is to be a media/ postproduction artist today. His thinking ranged widely across the arts and philosophy and there was a lot to think about. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.remixthebook.com/the-art-of-walking">Artists' statement from remixthebook.com</a> Genre Video/Web/Performative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_artofWalking Title A name given to the resource The Art of Walking Creator An entity primarily responsible for making the resource Out-of-sync Neumark, Norie Miranda, Maria Date A point or period of time associated with an event in the lifecycle of the resource 2011 Description An account of the resource The Art of Walking is a small, deft and moving contemplation on walking as both art and remix. The Art of Walking was created specifically for the website of Mark Amerika's 'Remix the Book' Project, which itself was a remix of Amerika's 'theoretical performances' that foregrounded samples of ideas and concepts he had gleaned and used from other writers, philosophers artists, poets, musician etc. As part of this whole 'remix' project, Out-of-Sync were invited artists to create work musing on remixing. Gillian Fuller Artist Statement The Art of Walking where we remix Agnes Varda's Vagabond, our own online project Museum of Rumour and Mark Amerika's Sentences on Remixology 1.0 with a dash of Hamish Fulton the walking artist. The work came about through serendipity. Mark's deadline for his Remix project was looming and we had just read his Sentences on Remixology 1.0 a wonderful piece of writing that detourned Sol Lewitt's own Sentences on Conceptual Art. Mark had completely rethought what it is to be a media/ postproduction artist today. His thinking ranged widely across the arts and philosophy and there was a lot to think about. <a href="http://www.remixthebook.com/the-art-of-walking">Artists' statement from remixthebook.com</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Out-of-sync https://omeka.westernsydney.edu.au/adelta/files/original/5847aae723b75da411cea8c27b01c53a.png 45b75c792eeeec33188ca7d921cd6f08 https://omeka.westernsydney.edu.au/adelta/files/original/ce0b9ea2afdde9ca8b1ce1b7750872f8.png f38f52bcaf90ceae2c0411ac14f11df7 https://omeka.westernsydney.edu.au/adelta/files/original/ab4fcd2a6a5d0d7d68fc2a48d7e01b6b.png 8e0011974d881924172d2b9a456b0e49 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Video/Sound installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/48430885">http://vimeo.com/48430885</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). In 2006 we took a roadtrip to Woomera in South Australia, wanting to see the fabled rocket-testing, weapons testing site we were surprised at what we found. Woomera the traditional country of the Kokatha people is now owned by the Defence Department. It's essentially a company town, rather than a country town. Woomera is a place that occupies a singular and contradictory position in the Australian cultural landscape. It is a place of actual and imaginary space junk, an ageing Rocket Park and a town with a shrinking population. It was once the centre of Australia's defence program - testing rockets and sending Australia's first satellite into orbit. 4000-7000 people lived there. Today there is about 200 people living in a purpose-built town surrounded by the Woomera Prohibited Area. In many ways it exemplifies modernity's contradictions and paradoxes. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vimeo.com/48430885">Artists' description on Vimeo. </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_spaceJunk Title A name given to the resource Space Junk Creator An entity primarily responsible for making the resource Out-of-sync Miranda, Maria Neumark, Norie Date A point or period of time associated with an event in the lifecycle of the resource 2006 Description An account of the resource Space junk is a video and sound installation that continues out-of-sync situationist inspired practice of making work that starts with performative encounters in public places. The work dwells textually, aurally and visually on the paradoxes and odd juxtapositions of modernity. In particular, the conceptual and aesthetic residues of the jet age and space race in the ancient landscape of colonised and colonising Australia. Well-worn Australian cinematic type images of desolate roads against furnace red skies with road trains thundering down them juxtapose silent shots of scrubby desert wildflowers as a voice narrates the story of the artists' road trip and their spare poetic observations. Scenes of various tourist sites in Woomera: a park containing old rockets sculpturally displayed; public buildings; close-ups of bowling pins being knocked down in the town's bowling alley display the aesthetic residues of the Space age: the surprising junk left over and what becomes of it. The soundscape features rhythmic ambiguous metallic sounds, sounding sometimes like the clatter of a typewriter, at other times the scraping sound of metal against a metal interspersed with the crunch of footsteps walking over salty earth, at other times quiet with spare voice over. Gillian Fuller Artist Statement In 2006 we took a roadtrip to Woomera in South Australia, wanting to see the fabled rocket-testing, weapons testing site we were surprised at what we found. Woomera the traditional country of the Kokatha people is now owned by the Defence Department. It's essentially a company town, rather than a country town. Woomera is a place that occupies a singular and contradictory position in the Australian cultural landscape. It is a place of actual and imaginary space junk, an ageing Rocket Park and a town with a shrinking population. It was once the centre of Australia's defence program - testing rockets and sending Australia's first satellite into orbit. 4000-7000 people lived there. Today there is about 200 people living in a purpose-built town surrounded by the Woomera Prohibited Area. In many ways it exemplifies modernity's contradictions and paradoxes. <a href="http://vimeo.com/48430885">Artists' description on Vimeo.</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Out-of-sync https://omeka.westernsydney.edu.au/adelta/files/original/77c1a8c97d5b0d75e0117ae6decb3dc6.png d7aa302d2fc3420c47432b210d7a376d https://omeka.westernsydney.edu.au/adelta/files/original/f458c77d536bbb6513d41f4c0f734d59.png edb30081164ae8a04122aefe67939169 https://omeka.westernsydney.edu.au/adelta/files/original/9af6f55ad4f45f5e0fd410965702782c.png fc1ba6b22817bb2bfb9af3044cbbc61d ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Second Life/Video installation/Blog Work URL The URL of the original work, included as an HTML link. <a href="http://www.out-of-sync.com/weatherwebsite2012/project.html">http://www.out-of-sync.com/weatherwebsite2012/project.html</a> Artist Statement A statement about the work, as provided by the artist(s). Talking About the Weather is an ongoing cross media project sparked by our response to the terrifying spectre of global climate change. Sheer terror at the possibilities that are being talked about led us to talking about the weather. In this project weather talk is no longer a banal exchange of local weather conditions, but instead we ask people to donate their breath - the breath which they would normally use to talk about the weather and the same breath that is spread far and wide as described by Tim Flannery. Working with breath emphasises the dynamic nature of the atmosphere and our part in its creation and destruction. As Tim Flannery says, every breath you take makes you part of a dynamic system called the atmosphere, or the aerial ocean. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.out-of-sync.com/weatherwebsite2012/project.html">Artists' website</a> Genre Virtual environment/Multimedia installation/Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_weather Title A name given to the resource Talking about the Weather Creator An entity primarily responsible for making the resource Out-of-sync Neumark, Norie Miranda, Maria Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Flanagan, Borges Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Talking About the Weather is an ongoing cross media project sparked by our response to the terrifying spectre of global climate change. Sheer terror at the possibilities that are being talked about led us to talking about the weather. In this project weather talk is no longer a banal exchange of local weather conditions, but instead we ask people to donate their breath - the breath which they would normally use to talk about the weather and the same breath that is spread far and wide as described by Tim Flannery. Working with breath emphasises the dynamic nature of the atmosphere and our part in its creation and destruction. As Tim Flannery says, every breath you take makes you part of a dynamic system called the atmosphere, or the aerial ocean. <a href="http://www.out-of-sync.com/weatherwebsite2012/project.html">Source of Artist Statement</a> Installation Out-of-sync https://omeka.westernsydney.edu.au/adelta/files/original/01389324f66a3cf3330d4dc686421226.png 5cc2660573cf20d8a26b285d2e33ce27 https://omeka.westernsydney.edu.au/adelta/files/original/5944e689c14d679cd0520eaae6cca57c.png 70727151521165a30459fba5d3f4f1fc https://omeka.westernsydney.edu.au/adelta/files/original/237ef349bf531dcc5f0884e16b9d6c8b.png 77235034509a15499be176c2cff20112 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://turbulence.org/studios/rumor/museum/">http://turbulence.org/studios/rumor/museum/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.umbc.edu/cadvc/blur/outofsync.html">Excerpt from the Center for Art and Visual Culture </a> Genre Web/Site specific installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_museumRumour Title A name given to the resource Museum of Rumour Creator An entity primarily responsible for making the resource Out-of-sync Miranda, Maria Neumark, Norie Date A point or period of time associated with an event in the lifecycle of the resource 2003 Description An account of the resource The Museum of Rumour, 2003, is both an internet work and a site specific installation originally installed at Callan Park, which had once been an insane asylum and is now Sydney College of the Arts. The website uses Gertrude Stein as a node for a network of associations in six frames, each with diverse 'rumours,' including Tourneur's Cat People film and Our Lady of Coogee, an apparition of the Virgin Mary on a beach in Sydney, Australia, where you can hear people saying 'I saw her on Thursday' or 'its unexplainable.' The site engages nineteenth century writer Alfred Jarry's notion of pataphysics: "The science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments.' The Museum of Rumour plumbs the terrain of analogy to reveal our mind's desire to intuitively connect images, experiences, sounds, and information across known and unknown to create maps of understanding across difference and invisibility. <a href="http://www.umbc.edu/cadvc/blur/outofsync.html">Excerpt from the Center for Art and Visual Culture </a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Out-of-sync https://omeka.westernsydney.edu.au/adelta/files/original/7f41fa68270e1e01522892c0272fce5a.png 76e61ab2468921c11b894b52d79c3bd9 https://omeka.westernsydney.edu.au/adelta/files/original/51c22499ab4e488f3e68e8710b69970a.png d63ee9a3a2b34e659e1c4f36df3328a5 https://omeka.westernsydney.edu.au/adelta/files/original/c24fb5447940bedd37d3f608e417e390.png 2e9b9fbbaa859f4d4c34c7e75bcc27b5 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/gene/bomargene.htm">http://www.heliozoa.com/gene/bomargene.htm</a> Artist Statement A statement about the work, as provided by the artist(s). Within every human there is a singular gene, unique only to that individual. And with that gene comes a singular ability, a rare, mostly never realized capacity for interacting with the world. The Bomar Gene explores this mythical gene, through a series of ficto-biographies, with each story being retranslated and spatialized through interactive interfaces and embodied animations. Each section opens up to such questions as: How are we defined by our genetic code? What does it mean to be an individual, to be unique? What are the implications of a society obsessed with rare abilities and super-powers? Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=21#more-21">Statement from artist's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_bomarGene Title A name given to the resource The Bomar Gene Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2005 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Within every human there is a singular gene, unique only to that individual. And with that gene comes a singular ability, a rare, mostly never realized capacity for interacting with the world. The Bomar Gene explores this mythical gene, through a series of ficto-biographies, with each story being retranslated and spatialized through interactive interfaces and embodied animations. Each section opens up to such questions as: How are we defined by our genetic code? What does it mean to be an individual, to be unique? What are the implications of a society obsessed with rare abilities and super-powers? <a href="http://heliozoa.com/?p=21#more-21">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://omeka.westernsydney.edu.au/adelta/files/original/9ba0e068e3c9b1ec7859b383dc519f8c.png ff00702f53c6cc6f8272d1817c023f76 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/locative/locative.html">http://www.secrettechnology.com/locative/locative.html</a> Artist Statement A statement about the work, as provided by the artist(s). A growing area of cultural and technology theory and practice that centres on how technology recreates/reforms our relationship with the land/builtscape. LNM is not depended on any particular tech, not are new tech innovations needed. Rather it is how the technology is used in the context of human spatial relationships research. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/locative/locative.html">Statement from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_locative Title A name given to the resource Locative New Media Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource ongoing Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement A growing area of cultural and technology theory and practice that centres on how technology recreates/reforms our relationship with the land/builtscape. LNM is not depended on any particular tech, not are new tech innovations needed. Rather it is how the technology is used in the context of human spatial relationships research. <a href="http://www.secrettechnology.com/locative/locative.html">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://omeka.westernsydney.edu.au/adelta/files/original/3e4b5dea86e9fec0ac19bd8a7d13fde9.png c952499ca67aeb774290721250aa4b47 https://omeka.westernsydney.edu.au/adelta/files/original/a03588d554c7d945a00602606314b007.png 2f2694df56377391fab2f456b68338f9 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/resume/cube.html">http://www.heliozoa.com/resume/cube.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.heliozoa.com/resume/cube.html">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_unrated Title A name given to the resource In an Unrated Sequences Comes Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Description An account of the resource All simple colours and one page poeticals. Built to rearrange, to force the reader/ user to play. Rollover sounds lead to the original order of the poem. <a href="http://www.heliozoa.com/resume/cube.html">Source of Description</a> Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Jason Nelson Net art https://omeka.westernsydney.edu.au/adelta/files/original/ac9192753572f40f79ed7edfd14c12ae.png cf0ef0cd5372fd3787c14ce35fa763b3 https://omeka.westernsydney.edu.au/adelta/files/original/f73fdbc4cd6328166c99b97207ac89c0.png 3627cee737b60ab2fe4e6fb62e88c6f3 https://omeka.westernsydney.edu.au/adelta/files/original/58009571b6bb31a8f8e57ebd1c02f561.png 518c5808d992e711622beee5673ad5db ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/resume/drag2.html">http://www.heliozoa.com/resume/drag2.html</a> Genre Web based digital poetry Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_tracing Title A name given to the resource A tracing Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Description An account of the resource Overpowering soundings pull the poetics along to certain conclusions. A simple creation, with the reader/user determining the order of stanzas. <a href="http://www.secrettechnology.com/">Source of Description</a> Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Jason Nelson Net art https://omeka.westernsydney.edu.au/adelta/files/original/bff589cedd90671502b0b857e05245ae.png 6211e0879474fa612f337cd31e200b7a https://omeka.westernsydney.edu.au/adelta/files/original/4462fb53957d53abd5cd5e23c8291e71.png df02bded79e23425b99ab198ffe5f4ef https://omeka.westernsydney.edu.au/adelta/files/original/cf2217338843806d2b12912700009c0a.png 3a04dba49c559b91065272da68b3c059 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/resume/color.html">http://www.heliozoa.com/resume/color.html</a> Genre Web based digital poetry Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_emotion Title A name given to the resource Another Emotion Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Description An account of the resource The music is the poem, magnifying the words the block's sideways, backways motion. Simple rollovers for simple background accents. <a href="http://www.secrettechnology.com/">Source of Description</a> Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Jason Nelson Net art https://omeka.westernsydney.edu.au/adelta/files/original/acaf71253e1c37deebcab9cf049c45ff.png efc1b66300e29cbc2d336b841850c416 https://omeka.westernsydney.edu.au/adelta/files/original/199115cb350ded393f343fe0a7869a0b.png 2a1b802ca0415f1f7baea47e3b7d2146 https://omeka.westernsydney.edu.au/adelta/files/original/2c0fcdf0c93138b371ad46f709a99b14.png 4f7ff967d4237652041b89cf5c0d1977 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/clone.html">http://www.heliozoa.com/clone.html</a> Artist Statement A statement about the work, as provided by the artist(s). Cloned sheep with teeth outside their skulls, recreate the cloning gone bad process with a hyperpoetic context. Includes an embarrassingly bad "matrix" interface. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_nineAttempts Title A name given to the resource Nine Attempts to Clone a Poem Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Cloned sheep with teeth outside their skulls, recreate the cloning gone bad process with a hyperpoetic context. Includes an embarrassingly bad "matrix" interface. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://omeka.westernsydney.edu.au/adelta/files/original/e3568555b108a161a1bd075503c9d918.png 6e432bd310845effa621aaded7a47801 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/ending1.html">http://www.heliozoa.com/ending1.html</a> Artist Statement A statement about the work, as provided by the artist(s). Combines mysticism science with math poetics caressed into game interface. A modified card game cycles randomly through 52 options. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_playChemistry Title A name given to the resource Play 1: chemistry Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Combines mysticism science with math poetics caressed into game interface. A modified card game cycles randomly through 52 options. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://omeka.westernsydney.edu.au/adelta/files/original/cd30ac080c202a10b94ac796261ac8db.png 4425a4cb57358a8970d593c542ecfa49 https://omeka.westernsydney.edu.au/adelta/files/original/668cf9836565fcb35829e5b1d831b37e.png f932261077b683a6e934fd791d4239c6 https://omeka.westernsydney.edu.au/adelta/files/original/769059f1ff5c7fbf574631faddbb145e.png 507c483c8f09a1a26f5fa09628c9af79 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/new/ending7.html">http://www.heliozoa.com/new/ending7.html</a> Artist Statement A statement about the work, as provided by the artist(s). Simple interacter, forces the reader/user to play. More abstract painting than strict poem, but glorious fun all the same. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_playGenetic Title A name given to the resource Play 7: genetic code Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Simple interacter, forces the reader/user to play. More abstract painting than strict poem, but glorious fun all the same. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://omeka.westernsydney.edu.au/adelta/files/original/44582e583555a1d5699963588315eece.png aa94f998a7cd9e1afcd9096e54cf96b3 https://omeka.westernsydney.edu.au/adelta/files/original/91f38e05056cda07404f2bf4b0027693.png f9471d2be8d77df32f0c2432d158252c https://omeka.westernsydney.edu.au/adelta/files/original/5095f8dfa7d47e177689f64877c3538d.png ad3ebe3db02956221ac25c0e5376b2f8 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Web based digital poetry Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/ending4.html">http://www.heliozoa.com/ending4.html</a> Artist Statement A statement about the work, as provided by the artist(s). Exploring depth, plays with texts inside texts inside texts. Artwork arrived after watching loose poem pages blow from my car. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_playWithin Title A name given to the resource Play 4: within within Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Exploring depth, plays with texts inside texts inside texts. Artwork arrived after watching loose poem pages blow from my car. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://omeka.westernsydney.edu.au/adelta/files/original/29ea64afaf45649c8d2d66b16b2ab483.png f9ea1640844e7a2510bbf1d4f34fdc03 https://omeka.westernsydney.edu.au/adelta/files/original/fdf81b8d39a03f7dc9b3d929cb0a18f5.png 5e46e990ab7b834004066fdf7796e2f8 https://omeka.westernsydney.edu.au/adelta/files/original/cf90511be048caae78ef492c3647cf03.png 03a6e78d5bd5194fa48325859cd759d1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Web based digital poetry Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/plush.html">http://www.heliozoa.com/plush.html</a> Artist Statement A statement about the work, as provided by the artist(s). Allegiance between common objects and overblown titles, brand names. Toothbrushes and carpet beg us to find joy in our status as dry and flooring shined buyers. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_Plush Title A name given to the resource Plush Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Allegiance between common objects and overblown titles, brand names. Toothbrushes and carpet beg us to find joy in our status as dry and flooring shined buyers. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://omeka.westernsydney.edu.au/adelta/files/original/ec865ea9340314572311b5e8c5d8d7a0.png a8016a8675a30d0b66c8b14aca98213d https://omeka.westernsydney.edu.au/adelta/files/original/125fe0dacd0a9259760cce28f0c0545d.png d86247b6ccae8bd1035d9f914cba25df https://omeka.westernsydney.edu.au/adelta/files/original/39bed5071fae7640d047f59d60c2ae37.png e77e8ab048a9fd2c6be41f6f5c572b7e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/panhandle.html">http://www.heliozoa.com/panhandle.html</a> Artist Statement A statement about the work, as provided by the artist(s). Fiddle with the intersections between ficto-biography, found text and obscure science. Packaged in the dust bowl landscapes of the Oklahoma panhandle. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_Panhandle Title A name given to the resource Panhandle Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Fiddle with the intersections between ficto-biography, found text and obscure science. Packaged in the dust bowl landscapes of the Oklahoma panhandle. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://omeka.westernsydney.edu.au/adelta/files/original/33c8d466112eb50233271782f27b212a.png 73e325fe15d6cbdcb4a057899cba4311 https://omeka.westernsydney.edu.au/adelta/files/original/c27a6e8f4be72cb609763911f4164364.png 862cadbefb9c791adb5fbbdb1e3a1cb6 https://omeka.westernsydney.edu.au/adelta/files/original/2c30b252a6a2d5ade2fb9ad68aed1917.png 6c5e48fb732103b8c38de6bc9865ceee ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/superstition.html">http://www.heliozoa.com/superstition.html</a> Artist Statement A statement about the work, as provided by the artist(s). A collection of related digital poems, all attached to objects, exploring our fascination and near religious reliance on household machines. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_superstitious Title A name given to the resource Superstitious appliances Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement A collection of related digital poems, all attached to objects, exploring our fascination and near religious reliance on household machines. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art