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                <text>From within the pile of books, on an endless loop, comes the sound of two voices telling an endless story. The story is made from quotations from more than sixty different novels. The pieces are put together in such a way that they suggest a narrative. Something is happening, but just as you feel you know how the plot will go, it slides seamlessly to another story. It seems to be the same story but the narrative never finds resolution. It is a restless text held in permanent suspense. The text was written and performed by Nola Farman and Anna Gibbs. With thanks to Andrew Smith for the assembly of the installation.&lt;br /&gt;&lt;a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000313b.htm"&gt;Excerpt from Australian Sound Design Project&lt;/a&gt;</text>
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                <text>A temporary installation for an exhibition at the Women's Gallery in Melbourne - curated by Penny Webb. The work was made in collaboration with Anna Gibbs who wrote &amp;amp; performed the sound work with Nola Farman. The work used net hammocks &amp;amp; other net materials with light. The text referred to the construction of gender through a paraphrasing of an early twentieth century amateur zoological text on the life of the spider. The optimum listening position was experienced by a person lying suspended in one of the hammocks.&lt;br /&gt;&lt;a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000308b.htm"&gt;Excerpt from Australian Sound Design Project&lt;/a&gt;</text>
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                <text>Copyright Nola Farman and Anna Gibbs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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                <text>Several sections of old cars have been dragged into the gallery and electronically activated in some way - by sound and/or video. This piece was made in collaboration with Anna Gibbs, Brad Clinch and Helen Britton. An additional sound track of a rusty car disintegrated was conceived of and produced by Ros Bandt. The rear vision mirror has a miniature TV inside. The video is about memory and the processes of forgetting and remembering. Rear vision or an endlessly receding past. This piece is silent. The boot or trunk section is lit red to engage with the idea of the car as a body - a prosthetic. This section has a sound track and a TV in the floor of the boot - the road seems to continually pass beneath the car. Anna Gibbs wrote and produced the sound track in the dashboard. The sound of a car crash comes from the fender. Timed to occur unexpectedly but activated by people walking in front of it.&lt;br /&gt;&lt;a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000306b.htm"&gt;Excerpt from Australian Sound Design Project&lt;/a&gt;</text>
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                <text>Copyright Nola Farman, Anna Gibbs, Helene Britto, Brad Clinch and Roz Bandt. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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                <text>A miniature TV monitor is embedded in an illustrated dictionary. A viewer can sit at a desk an put on earphones. The sound track is a monologue on reading &amp;amp; writing - the constructing of meaning through these practices. The video shows archival footage of the construction of books from early bookbinding to contemporary computerised mass production. Text written &amp;amp; performed by Anna Gibbs (This work has been shown at PICA &amp;amp; at Experimenta in Melbourne).&lt;br /&gt;&lt;a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000302b.htm%5D"&gt;Excerpt from the online database Australian Sound Design Project&lt;/a&gt;</text>
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                <text>Copyright Nola Farman and Anna Gibbs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>A double sided armchair made of secondhand hardcover novels contains a sound track of the continuous reading of a collaged narrative taken from 64 different novels. A quasi-narrative which never finds a resolution.</text>
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                <text>Copyright Nola Farman and Anna Gibbs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>&lt;a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000303b.htm"&gt;Excerpt from the Australian Sound Design Project&lt;/a&gt;</text>
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                <text>A cast book with a Braille text has photosensitive cells which when touched produce sounds which can be heard from speakers located around the ceiling. The sounds allude to the meaning of the text that can only be fully understood by Braille readers. Materials: electronics and sound system, polyester resin, acrylic.&lt;br /&gt;&lt;a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000303b.htm"&gt;Excerpt from the Australian Sound Design Project&lt;/a&gt;</text>
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                <text>Copyright Nola Farman . The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>&lt;a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000300b.htm"&gt;Excerpt from the Australian Sound Design Project&lt;/a&gt;</text>
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                <text>A temporary installation to accompany Suite Talk, for the Adelaide Festival Fringe. The work is made of books and has a sound work of a variety of exclamations.&lt;br /&gt;&lt;a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000300b.htm"&gt;Excerpt from the Australian Sound Design Project&lt;/a&gt;</text>
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                <text>Copyright Nola Farman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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            <elementTextContainer>
              <elementText elementTextId="427">
                <text>Caney, Diane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="430">
                <text>1999</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="436">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3958">
                <text>Hypertext</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3959">
                <text>&lt;strong&gt;Artist Statement&lt;/strong&gt;&lt;br /&gt;Inside/outside intertextuality is a collection of fragments relating to text, new technologies, identity and language. Both text and language are considered in their broadest contexts: as entities which transmute as they voyage across the parallel virtualities of technology and readerly space. I argue that identity is splintered enmeshments ...There are no strict conclusions in this composite text which I regard as always already entangling with a vast world (while it is being read): that of the multi-faceted virtual realities of its reader(s).&lt;br /&gt;&lt;a href="http://www.overthere.com.au/digital/index.html%5D"&gt;Source of Artist Statement&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4221">
                <text>The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="60">
        <name>Diane Caney</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
