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            <text>ACT - assemblage for collective thought - is an ongoing conceptual and aesthetic collaboration, an assemblage of technologies and techniques for collaboration. It enables participants to think collectively. By 'think' here we do include thinking conceptually. However, following a century that has had to come to terms with thinking through aesthetic processes, we also mean thinking affectively, via images, texts and sounds. More than this, ACT asks what kind of thought is produced in the mix in the middle of the very act of collaboration, when DJing, VJing, dancing in front of a camera perhaps, are all opened up to the mix. Is there a different quality of thought? A different experience of thinking? An especially collaborative thought? &lt;a href="http://www.andrewmurphie.org/docs/ACT_Aminima.pdf"&gt;Excerpt from the article Assembling Collective Thought&lt;/a&gt;</text>
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            <text>&lt;a href="http://www.andrewmurphie.org/docs/ACT_Aminima.pdf"&gt;Excerpt from the article Assembling Collective Thought&lt;/a&gt;</text>
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              <text>Assemblage for Collective Thought [ACT]</text>
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              <text>Copyright Andrew Murphy and Anna Munster. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>&lt;strong&gt;Artist Statement&lt;/strong&gt;&lt;br /&gt;ACT - assemblage for collective thought - is an ongoing conceptual and aesthetic collaboration, an assemblage of technologies and techniques for collaboration. It enables participants to think collectively. By 'think' here we do include thinking conceptually. However, following a century that has had to come to terms with thinking through aesthetic processes, we also mean thinking affectively, via images, texts and sounds. More than this, ACT asks what kind of thought is produced in the mix in the middle of the very act of collaboration, when DJing, VJing, dancing in front of a camera perhaps, are all opened up to the mix. Is there a different quality of thought? A different experience of thinking? An especially collaborative thought?&lt;br /&gt;&lt;a href="http://www.andrewmurphie.org/docs/ACT_Aminima.pdf"&gt;Excerpt from the article: Assembling Collective Thought&lt;/a&gt;</text>
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