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        <name>Platform</name>
        <description>Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime</description>
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            <text>Flash</text>
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            <text>&lt;a href="http://www.heliozoa.com/speech/speechtext.html"&gt;http://www.heliozoa.com/speech/speechtext.html&lt;/a&gt;</text>
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        <name>Artist Statement</name>
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            <text>Using speech to text software trained to my scratchy and yet (in the afternoon) velvety voice, I process the worlds of media  (movies, radio, music, crowds, the ocean). The software, as all technology, is an imperfect and jealous lover that misunderstands explosions, or ambient noise as text, and retranslates the sounds and dialogues, finds hidden words beneath what we (and it) hears. Think of the process as an interpretive dance, a jittery technological oracle for our electronic boxes that shine out uncertain media prophets. These poems are the first in a series of noise to poetics experiments.</text>
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            <text>&lt;a href="http://heliozoa.com/?p=90#more-90%5D"&gt;Description from author's website&lt;/a&gt;</text>
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            <text>Web based digital poetry</text>
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          <description>An unambiguous reference to the resource within a given context</description>
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              <text>Speech to Text Poetry Project</text>
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              <text>Nelson, Jason</text>
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              <text>Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>&lt;strong&gt;Artist Statement&lt;/strong&gt;&lt;br /&gt;Using speech to text software trained to my scratchy and yet (in the afternoon) velvety voice, I process the worlds of media (movies, radio, music, crowds, the ocean). The software, as all technology, is an imperfect and jealous lover that misunderstands explosions, or ambient noise as text, and retranslates the sounds and dialogues, finds hidden words beneath what we (and it) hears. Think of the process as an interpretive dance, a jittery technological oracle for our electronic boxes that shine out uncertain media prophets. These poems are the first in a series of noise to poetics experiments.&lt;br /&gt;&lt;a href="http://heliozoa.com/?p=90#more-90%5D"&gt;Source of Artist Statement&lt;/a&gt;</text>
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      <name>Jason Nelson</name>
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