https://omeka.westernsydney.edu.au/adelta/files/original/c647c49354415eda16ea2a8b24ff75ac.png 1ae7d30aac3f63c63808dce49243921a https://omeka.westernsydney.edu.au/adelta/files/original/7be639c18de01cd821791050446a298a.png 85e698a6ba103475c8fdb3b5808dc55d https://omeka.westernsydney.edu.au/adelta/files/original/2ae182b346c582ff7a1dfe989d89858b.png 79dd399d846dac4712020dcd846ef12e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/empyrean/">http://www.subtle.net/empyrean/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). Empyrean is a soft space constructed on the internet in Virtual Reality Modeling Language, a parallel universe to the hard spaces we inhabit each day. It contains seven intertwined e-scapes, - order, truth, beauty, strangeness, charm, chaos, and void. These zones are realms of the spirit, arenas beyond space and time which are simultaneously contained within the screen, just as the medieval empyrean of Christianity was the containing sphere or outer limit of the universe, the arena where god and the angels where thought to live. The work is an investigation of the colonization of the virtual - confronting the re-creation of urban spaces and the pioneering metaphor that has infested the web as users try to remake online virtual space as a poor imitation of the real. It is a space with no attachments to offline reality, a place of emptiness - of hungry voids, of gaps and environment, which has no horizon line to anchor oneself against, and no attachment to offline hard space. Empyrean deliberately does not provide pathways to follow so that the viewer must transverse the otherworldly yet oddly familiar domains thru their senses, by feeling one's way thru this immersive environment with its in-tensions and strange attractions. <a href="http://www.subtle.net/archive/nabi.html">Excerpt from artist's website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.subtle.net/archive/nabi.html">Excerpt from author's website</a> Genre 3D Virtual environment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_empyrean Title A name given to the resource Empyrean Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 2000-2003 Description An account of the resource Empyrean is a VRML online installation that generates a virtual geography that self-consciously works within and disrupts protocols of code. Described by the artist as soft skinned e-scape, the user navigates seven connected zones sensually, through floating images, movement and sound to traverse the work/worlds. Sound and image and user exploration are closely integrated and responsive, creating an early example of affectually immersive online poetics. Sound design: Mitchell Whitelaw.<br />Gillian Fuller. <strong>Artist Statement</strong><br />Empyrean is a soft space constructed on the internet in Virtual Reality Modeling Language, a parallel universe to the hard spaces we inhabit each day. It contains seven intertwined e-scapes, - order, truth, beauty, strangeness, charm, chaos, and void. These zones are realms of the spirit, arenas beyond space and time which are simultaneously contained within the screen, just as the medieval empyrean of Christianity was the containing sphere or outer limit of the universe, the arena where god and the angels where thought to live.<br />The work is an investigation of the colonization of the virtual - confronting the re-creation of urban spaces and the pioneering metaphor that has infested the web as users try to remake online virtual space as a poor imitation of the real. It is a space with no attachments to offline reality, a place of emptiness - of hungry voids, of gaps and environment, which has no horizon line to anchor oneself against, and no attachment to offline hard space. Empyrean deliberately does not provide pathways to follow so that the viewer must transverse the otherworldly yet oddly familiar domains thru their senses, by feeling one's way thru this immersive environment with its in-tensions and strange attractions.<br /><a href="http://www.subtle.net/archive/nabi.html">Source of Artist Statement</a> Language A language of the resource English Contributor An entity responsible for making contributions to the resource Whitelaw, Mitchell Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham