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    <name>ADELTA Item</name>
    <description>Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA).</description>
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        <name>Platform</name>
        <description>Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime</description>
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            <text>Multimedia</text>
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        <name>Work URL</name>
        <description>The URL of the original work, included as an HTML link.</description>
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            <text>&lt;a href="http://katerichards.net/art/dawes-point/"&gt;http://katerichards.net/art/dawes-point/&lt;/a&gt;</text>
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        <name>Artist Statement</name>
        <description>A statement about the work, as provided by the artist(s).</description>
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            <text>Development stage of a multi-disciplinary performance work based on the notebooks of First Fleet marine/astronomer/surveyor William Dawes who recorded his encounters between 1788-1790 with the indigenous peoples of the Sydney foreshore area most notably young Cadigal woman, Patyegarang.[...]The live action process will involve the opening up of the primary source notebook text through the actor's physiology of movement, voice, physical and emotional inter-relationships with Dawes text (words, correction marks, and spaces/silences between the words) and each other. Other source material will be diaries and letters that refer to Dawes and Patyegarang (i.e., Elizabeth Macarthur's letters &amp; journals). The secondary source material will be current writings and interpretations of their encounter (i.e. Inga Clendinnen's Dancing With Strangers). The other source text will be what the artists bring of themselves to the work, personal text, cultural stories, constellation and creation myths  and their 'speakings back' to Dawes and Patyegarang from varying viewpoints. We aim to devise a chorus ensemble of indigenous performers to counterpoint the dual Dawes  Patyegarang  protagonist/s structure.</text>
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        <name>Source of Artist Statement</name>
        <description>The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible.</description>
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            <text>&lt;a href="http://katerichards.net/art/dawes-point/"&gt;Excerpt from author's website&lt;/a&gt;</text>
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            <text>Live performance work</text>
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          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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              <text>Gibson_mrDawes</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Mr Dawes Pronounces Well</text>
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          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>Richards, Kate</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>2009-ongoing</text>
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          <name>Language</name>
          <description>A language of the resource</description>
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              <text>English</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>&lt;strong&gt;Artist Statement&lt;/strong&gt;&lt;br /&gt;Development stage of a multi-disciplinary performance work based on the notebooks of First Fleet marine / astronomer / surveyor William Dawes who recorded his encounters between 1788-1790 with the indigenous peoples of the Sydney foreshore area most notably young Cadigal woman, Patyegarang.[...]The live action process will involve the opening up of the primary source notebook text through the actor's physiology of movement, voice, physical and emotional inter-relationships with Dawes text (words, correction marks, and spaces/silences between the words) and each other. Other source material will be diaries and letters that refer to Dawes and Patyegarang (i.e., Elizabeth Macarthur's letters &amp;amp; journals).&lt;br /&gt;The secondary source material will be current writings and interpretations of their encounter (i.e. Inga Clendinnen's Dancing With Strangers). The other source text will be what the artists bring of themselves to the work, personal text, cultural stories, constellation and creation myths and their 'speakings back' to Dawes and Patyegarang from varying viewpoints. We aim to devise a chorus ensemble of indigenous performers to counterpoint the dual Dawes Patyegarang protagonist/s structure.&lt;br /&gt;&lt;a href="http://katerichards.net/art/dawes-point/"&gt;Source of Artist Statement&lt;/a&gt;</text>
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          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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              <text>The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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      <name>Kate Richards</name>
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      <name>Multimedia performance</name>
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      <name>Ross Gibson</name>
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