https://omeka.westernsydney.edu.au/adelta/files/original/8c120a029a55ebc692968818b7657156.png 61ff34af5ad410f2a14b557f79d2f003 https://omeka.westernsydney.edu.au/adelta/files/original/52d7af0bcecd42fc02f4948a0fd9569a.png fd59e90ecfe0c7a0a9a63199534ab9bd https://omeka.westernsydney.edu.au/adelta/files/original/2ccf43f4fc1fe4f487cc0f2453256abf.png b45ad7ba6a028242c220f1d0be20837b ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://komninos.com.au/underground/entry.html">http://komninos.com.au/underground/entry.html</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://iloveepoetry.com/?p=400">http://iloveepoetry.com/?p=400</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=400">Heather McHugh's description from I love E-Poetry<br /></a> Genre Web based digital poetry Publication Type The publication type is the means and channels by which a work is made public. Online//CD ROM/DVD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_cyberpoetry Title A name given to the resource Cyberpoetry Underground Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 2003 Description An account of the resource A perceptual joy-ride, full of visual attractions and sonic energies, cyberpoetry underground is notable for its sheer momentum and solid graphic punsmanship. Animated text, three-dimensional letter-forms and 360-degree views turn electronic space into an extra-literary passage, certain areas of which the viewer can negotiate. At the end of some tunnels are the objects of cybertext poems, graffitissimi ultimately serving to remind us that getting there can be more than half the fun. For romping humor, cinematic verve and swerve, cyberpoetry underground earned its place among the top three.<br /><a href="http://iloveepoetry.com/?p=400">Heather McHugh's description from I love E-Poetry</a> Publisher An entity responsible for making the resource available State of the Arts anthology CD Electronic Literature Organisation/The Other Voices Poetry Project Language A language of the resource English Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Cyberpoetry Interactive sound poetry Multimedia Cyberpoetry Interactive sound poetry Komninos Zervos Multimedia