https://omeka.westernsydney.edu.au/adelta/files/original/5fdfcdba9d03d96b2e6eea6b274ada13.png 225cee0156c5ac09779000e39d9555e6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://eugeniaraskopoulos.com/wp-content/uploads/2015/08/voodoo-objects.pdf">Extract from essay Voodoo Objects: “Under My Skin” by Anne Finegan</a> Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Archival digital prints Work URL The URL of the original work, included as an HTML link. <a href="http://eugeniaraskopoulos.com/works/">http://eugeniaraskopoulos.com/works/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Under my Skin Description An account of the resource Eugenia Raskopoulos’ latest installation straddles dark domestic and political territory. The messages range from blunt to subtle. A video camera looks through a car windscreen across which the word “refugees” is written against a clear blue sky, bordered by gum trees and full of hope. No matter how frenetic the pace of the windscreen wipers, the sullied text remains discernable withing the smear as a symbol of Australia’s unresolved refugee issues. Elsewhere crisp and formally framed large photographs dominate with a very odd set of objects, abject reminders which carry bodily memories of intense “inpain” is not a typo but a deliberate misspelling as if the state of being in “in pain” were an abstract noun describing a political condition. In an earlier body of work, Raskopoulos had subjected the word “democracy” to various political tests and pressures, undermining the cheapness of its currency as a buzzword for political gain. Text and visual metaphors - like the windscreen wiper’s attempt to “wipe away” political problems - have long informed Raskipoulos’ work. <a href="http://eugeniaraskopoulos.com/wp-content/uploads/2015/08/voodoo-objects.pdf">Extract from essay Voodoo Objects: “Under My Skin” by Anne Finegan</a> Creator An entity primarily responsible for making the resource Raskopoulos, Eugenia Date A point or period of time associated with an event in the lifecycle of the resource 2014 Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.